I was thinking of giving you a massage again, out of tradition.
Oh, wow. That would just be fucking incredible, yeah. Iâm sort of embarrassed at how tight Iâm going to beâlike so tense that itâs going to, like, tell you the answer to all your questions.
Do you remember the last time we did this? We were backstage at Bumbershoot and you had just come back from Ireland.
Oh yeah. Wow. Right. Yeah, I was also a lot richer right then. I had just won a prize! And I was psyched. Yeah. All that moneyâs gone now.
What did you do with it?
Just lived. I donât know. Not much. I didnât invest it or anything, thatâs for sure.
How come both of the films youâve made your character has been an unsuccessful artist? Do you have anxieties about being a successful artist?
Well, I meanâit would be a real choice to make a movie just about a really successful person, you know? And truth be told Iâm not sure I would relate to that as much as I do to these characters. Thatâs not really my inner world. You know? If everything in this movie is sort of heightened fears and stuff, uh, at least for my character, uhâwow, itâs hard to be relaxed and answer questions.
Am I pressing too hard?
No, Iâm willing to let it be hard. The interview may suffer but I donât really care.
Did you set out to make The Future darker than your first movie?
Yeah. I had that in my head as I was editing the first one and was going through a horrible breakupâI was editing this pretty hopeful movie and kind of wanting to die. And laying in bed thinking, âI want to get this feeling into a movie. That would be a real achievement.â
In the very first piece of dialogue, a cat is talking about âthe darkness that is not appropriate to talk about.â Could you talk about that?
[Laughs.] Itâs not appropriate. Itâs likeâwhat if you canât be tamed? What if you donât believe that you can love and be loved? You sort of have to believe in your story as a couple, or whatever your fiction is, whatever the story youâre telling of your life, in order to really do it, to actually join with someone. And I often feel like Iâm deciding to do that again and again, and thereâs all this darkness that lies around that, like in moments it feels like it could be just as easy to walk into all of that. This movieâs the opposite of getting married. Itâs like, What if you just kept fucking up, again and again?
Why do you continue to focus on comic domestic material?
Well, I donât actually thinkâI think itâs comic to a point. I think thereâs something pretty useful about laughing and comedy, especially when youâre in kind of mysterious territory and itâs not that clear-cut, laughing kind of brings you into the fold, even if you donât know what the fold is. But when I watch this movie Iâm keenly aware that thereâs a certain point where people stop laughing, and if itâs working thereâs another feeling that comes into the room, and that, for me, thatâs kind of an achievement, because, I mean, I love the last movie but watching that it was always like, And hereâs the next laugh! And thatâs so reassuring you could just do that forever. At the same time I guess I donât want something so overwrought or so pained where everyoneâs cryingâso I avoid that.
One thing you donât avoid is showing your whole buttocks in this movie.
Right. I know.
How does it feel to be so exposed?
Well, luckily no oneâs brought it up. Until now. I didnât know how that was going to play out and then I was like, Oh, itâs just going to be like it didnât happen, which is fine by me, itâs enough that itâs there. I donât know, when youâre writing it, itâs just, like, a good idea: Oh thisâll be good, and then heâll leave the room and sheâs just there, so vulnerable and itâs kind of funny, but then youâre like, Oh right, and itâs me, and I didnât think that thought until I was rehearsing. And I remember Mike [Mills, her husband] even saying, like, âJust be sure you want to do that. Like, you always put yourself out there and you donât have to.â If it was another actress Iâd be like, âYes, youâre going to do this.â Plus, it seems like in movies we only get to see one kind of woman be sexual, or sexual in only one way. Iâm not super sexual-acting in the movie, and I would be interested in that in another movie, that kind of womanâitâs not like this curvy woman who we already think of in that way. Its like, yeah, actually, everyone has a butt and does this. And I feel like it just opens things up a little bit.
The idea of someone who can freeze time. Did you get that from TVâs 1987 hit sitcom Out of This World?
[Laughs.] Wow, no. Iâm not familiar with that.
This girlâs dad is an alien and she can press her fingertips together and everything stops.
Oh wow, thatâs good. Good idea that they stole from me. [Laughs.] No, I mean, stopping timeâitâs funny at another interview thing someone brought an old 7-inch of mine thatâs called Margie Ruskie Stops Time, and I was like, âOh, right! I forgot I already had this idea. Thankfully, youâre kind of the only person who has this 7-inch, I think!â But Iâm a real sucker for anything to do with time or time travel. I could have gotten way nerdier there, but I tried to keep it emotional.
Nerdier how?
Just more explicitly about, like, well what else happens when time stops? There were some more things that I shot like an orange is falling and it stops midair and, like, everything that was falling at 3:14 is stopped in midair and then they all fall at once and we all hear the sound of all these things fallingâI mean, god, I labored over shooting that. It was a nightmare to shoot. It was nice but just somehow wasnât necessary. But suffice it to say I had a million and one ideas about time freezing.
Why did you pick a leading guy who looks like just you?
I wasnât all that conscious of that. I was like, âThis needs to be very simple visually.â We had to look like we belonged together and me and the other guy needed to look really unlikely, so I kept ruling out interesting people who didnât look like they would go with me, or they were too masculine in a way that was confusing with regard to the other guy. And Hamish [Linklater] did have longer hair when I cast him, and thenâI just saw all these pictures actually, I was like, oh, rightâI went with him to get his hair cut and I guess I made it look just like mine.
Do you find yourself having to answer questions about symbols constantly?
Thatâs just how it goes when you make a movie thatâs not totally explicit. The real heart of it is, if it was easy to explain you wouldnât have to make the movie. Like to some degree you know itâs not easy to articulate. So the answers I end up coming up with arenât totally trueâthey just become the words that I say when those questions come up. Not to invalidate this whole interview.
Give me your left arm. What did you do to your left side?
I know! What happened? I feel like this has come up before. Someone mentioned it. It may have been that I fell down the stairs. [A publicist opens the door and sees July being handled by Frizzelle, whoâs standing behind her. July turns to the publicist.] Noânoâthis is notâthis is fine.
Oh this looks bad.
Especially with my left arm behind me.
Your husband has a film in SIFF, too. Whose is better?
[Laughs.] Well, his is, like, the story of a lifetime. This is his big story. You know? So it better be fucking good. No contest, in a way. And for me, I remember my parents in San Francisco coming to see that movie, and it kind of hit me, Oh, those are my in-laws. Like his movie is as close as Iâm ever going to get [to meeting his parents]. And it would be normal for my parents to meet them, and this was as close to that as theyâll beâitâs almost beyond a movie for me.
Can we take the 30 seconds we have left to get a photo of you doing something weird?
Oh yeah. Oh! Well, something I havenât done in a while is, I always like it when youâre, like, walking, but youâre on the ground. Wait, let me get my purse on. Is this how people walk, or do they⊠[She situates herself on the floor with her feet against the baseboard, then lifts one foot as if sheâs mid-walk.] I could have my cell phone. I could be on my cell phone. The carpet kind of gives it away.
Photo by Timothy Rysdyke