Pop Punk Puberty
Everything I Know About Being a Woman I Learned from Boys Singing Songs About Girls
c.m. ruiz
Tools
I was 13 years old when Green Day released their breakthrough album Dookie. The song "Longview" was all over the radio, and I fell in love fast and hard. As a newly pubescent girl from the suburbs, I was on the verge of having the power to make my own decisions, and they represented something radical I could choose to be. The guys in Green Day had tattoos and dyed hair and an enviable "I don't give a fuck" attitude. I wanted all of it.
I went backward through Green Day's (very small) catalog and started listening to every other similar band I could get my hands on—Operation Ivy, Rancid, Blink-182, Screeching Weasel, the Mr. T Experience, the Vandals, Less Than Jake, even MxPx because I liked that their songs were polite enough for me to listen to while my parents were around. I would religiously read one band's liner notes to see the other bands they thanked or mentioned, then I'd go buy those band's CDs. That's how I learned about NOFX, Me First and the Gimme Gimmes, the Hippos, Unwritten Law, Home Grown, and more.
Stranger Personals
Pop punk (and its musical siblings) was my life's main soundtrack at one of the most critical, fragile, and exciting phases of my life. These songs were what taught me what it meant to be a woman as I was becoming one.
It's a miracle I made it out unscathed.
From the Cootees telling me the most desirable figure was "36-24-36" in "School Girl Fantasy" to Screeching Weasel spitting, "As long as you don't have lots of zits or small tits or crooked teeth, then you won't be a freak or wildebeest," it was hard not to be constantly conflicted about the fact that I was a woman, a young woman at that, with an awkward body and delicate confidence. I thought the best way to deal with my insecurity was to focus on becoming the right woman.
Of course, there are similar (or even worse) misogynistic messages in dozens of other musical genres—rock 'n' roll, rap, hair metal, indie rock—but pop punk already had my heart on lock. I was a tomboy. I was trying to learn bass and to skateboard. I wanted to be friends with the guys, but I also wanted to kiss them, so I listened to pop punk as a way to decipher the code of the common man—attempting to find out what they liked, while trying to discover (and inevitably craft) who I was.
These are the things that dudes with spiked hair, a low-slung guitar, and a microphone taught me about what it means to be a woman (and the laughably embarrassing results).
On Being Attractive to Men: The most attractive thing a woman could do is want another man. There are literally hundreds of songs whining about unrequited love ("Even Hitler Had a Girlfriend" by the Mr. T Experience), the one who got away ("Every Night" by Screeching Weasel), and the heartbreak caused from seeing the woman you love with another man ("Why Do You Want Him?" by Green Day)—especially another man who treats a woman like shit ("Your Boyfriend Sucks" by the Ataris). Of course, I wanted to be that girl all those boys were singing about, so I interpreted this "advice" quite literally. As I started to flirt with boys, my game generally included me going on and on about the wonderful characteristics of other guys—especially other guys who were jerks. I can confidently say, after years of trying, that this approach did not work.
On Being a Good Girlfriend: Congratulations, you snagged a pop punk dude! Now, to keep him, all you have to do is be unrealistically perfect. There is no better "how to be a girlfriend" song than Blink-182's "Josie," which clearly lays out all the expectations. When your boyfriend gets too drunk, you drive him home. When he's on tour, you accept his collect calls. You're not jealous of his friends and you're not disappointed by his small dick. You bring him Mexican food (just because), you listen to the right bands, and you wait up for him on the off chance he needs you. But you're really smart and independent, too! You know, when you're not spending all your time doting on this very demanding boyfriend. You are a walking contradiction with nice legs and big boobs.
How to Have Boobs: None of the guys in my favorite pop punk bands had breasts, yet I still considered them experts. One time at (I think) a Blink-182 concert, a woman in the crowd flashed the band, and one of the band members said her breasts looked like fried eggs. My mind exploded. I thought having boobs was the only requirement! But now you've gotta have the right boobs? I kept my shirt on 24 hours a day, living in fear that I had the wrong boobs.
How to Have a Brain: You definitely want to be smart (a number of songs reference an intelligent woman), but if you're not smart, you'd better be hot. It's unlikely that you can be both. In "(But Then) She Spoke," the Vandals sing about an angel, a goddess, who, after opening her mouth, turned out to be "garbage wrapped in loveliness." The Mr. T Experience have a similar song but with a happier ending. "With My Looks and Your Brains" is about finding the perfect brainless woman to coexist with singer Dr. Frank's geeky, socially inept quirks. The lesson: It's okay to be brainless so long as you're pretty, and if you're pretty, you'd better shut up.
On Drugs and Alcohol: DO THEM! From Jawbreaker's "Chesterfield King" to the Ataris' "San Dimas High School Football Rules," undeniable bonding and/or romantic moments can happen with booze and cigarettes. (The exception: During my teenage years, I was also introduced to some straight-edge hardcore bands, so I decided I was straight edge, partly out of fear of mind-altering substances [such a wuss] and partly due to my burgeoning rebellious nature [up the punx!].)
On Mental Illness: HAVE ONE! As the Vandals sing in "F'd Up Girl," "I'm well aware that you are chemically imbalanced, but I'm the kind of guy that likes a challenge..." Guys love emotionally unstable women. A crazy girl is either (a) someone who they can help (manly!) or (b) someone who won't notice that they are fucked up, too (win!). Mental illness = romantic! Because of this, I actually basked in my unhappiness for many of my high-school years. I embraced the adversity depression offered me, honestly thinking it made me more attractive. (Please, humans, do not do this.)
On Forgiveness (If You're the Man): "Boys will be boys" runs rampant. When the man in your life fucks up, you forgive, forgive, forgive. He's sorry and he'll sing you a song to prove it! In All's song "Guilty," singer Chad Price croons, "I know I suck already, you don't even have to tell me/I'm guilty/I feel guilty all the time." Fenix TX took a similar approach in "All My Fault," where the fact that they fucked up makes for a catchy anthem of self-deprecation: "Tell me something that's sure to break my heart/'Cause everything's my fault/And I know I deserve to be alone/'Cause everything's my fault." Spin it to win it, jerks.
On Forgiveness (If You're the Woman): FUCK OFF. FOR-EV-ER. The list of songs where the woman is the enemy, the heartbreaker, the liar, the asshole is incredibly long. As the woman, you will be sorry. As the man, you're better off without that sorry woman. Less Than Jake sing in "Great American Sharpshooter," "It's okay, you didn't need her anyway (whoa-oh-oh-oh-oh-oooohhh)." Bros before hos, chicks are replaceable, etc. infinity.
On Life (In General): Be dissatisfied. Always. Pop punk singers are never happy with their station in life. Whether they're whining about girls, parents, jobs, or being misunderstood by the world—nothing is good, someone is always fucking them over, and there's always something brighter on the other side of the fence. The best thing you could do is get out of town and do what you want (see: every Less Than Jake song ever written). This is the one lesson that actually paid off. I took this advice quite literally, too, refusing to settle, and as I grew up, refusing to conform—especially within the unrealistic confines of one music genre's supposed expectations. I guess this is growing up. ![]()
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Perry Farrell had that much power over me when I was sixteen? GAH. I find this all the more disturbing now that I have a daughter. How on earth am I going to help her navigate the coming shitstorm? Rihanna? Oh, fuck no. Lady Gaga? Well, except she regularly "collapses" due to (rumored) semi-starvation. Katy Perry? Oh, definitely not.
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Incidentally, if you mention that time to a lot of guys, they fucking hated it and considered it totally sexless, which cracks me up. I think someone wrote an article about that for the Stranger last year. It was probably the one time girls were truly autonomous people focused on their own interests (none of which included dressing for men), and guys just could not deal.
Apparently you were the type of teen they were writing about.
-Not sexist, but sexy dude from Boogada street 27, Riverdale, Poppunkland
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Thanks for summarizing my gender neuroses so concisely!
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I was also 13 when Dookie was released. I discovered it from winning a promo tape of it from a twist contest at a friend's Bar Mitzah party. Needless to say, the tape (of Longview, She and Basketcase) set me down a similar path.
I should say that I am a man, but I am also a hardcore feminist, and have lived as such for the past 16 years.
I'm also a stickler for the truth, which your article distorts due to your inability to understand lyrics. I'll agree that Blink-182 treats women as objects (and that's why I got rid of my Blink albums after Dude Ranch and never looked back). But Screeching Weasel? Come on.
""As long as you don't have lots of zits or small tits or crooked teeth, then you won't be a freak or wildebeest," it was hard not to be constantly conflicted about the fact that I was a woman, a young woman at that, with an awkward body and delicate confidence. "
The lyric is simply criticizing the way society attributes superficialities to a positive character. Anthem For A New Tomorrow, as a whole, ravaged against this notion.
I'm sorry for your insecurities. You're right, things like breast size shouldn't matter. And in the end it doesn't. But you have to admit that you are wrong to reinterpret these lyrics as to explain your insecurities. I believe that you legitimately listened to Peter Brady and were negatively affected by the lyrics. But you must also accept that you misunderstood the song, missing its point entirely, as the song fights for what you believe in.
This piece you wrote is unfair and a disservice to your readers who are unfamiliar with these bands.
By the way, Green Day's "Why Do You Want Him?" Is a song about the singer's mother.
Sincerely,
Michael Goodman
goodman0mATgmailDOTcom
Tokyo
You missed the lyrics surrounding that line saying that you shouldn't let people who think that influence you.
There's something ugly inside of you
There's a big empty hole inside of you
There's something creepy crawling on your brain
There's something in you
It's red white and blue inside of you
As long as you don't have
Lots of zits or small tits
Or crooked teeth
Then you won't be a freak, a wildebeaste
And people won't tape signs onto your back
Or beat the crap out of you
Or ignore your sorry ass
See, there's something vapid inside of you
There's a sweet little robot inside of you
So take off that silly moustache
Don't be a baby
There's a Pete Brady inside of you
ONE: You act your age
TWO: You don't try to be something you're not
I was also 13 when Dookie was released. I discovered it from winning a promo tape of it from a twist contest at a friend's Bar Mitzah party. Needless to say, the tape (of Longview, She and Basketcase) set me down a similar path.
I should say that I am a man, but I am also a hardcore feminist, and have lived as such for the past 16 years.
I'm also a stickler for the truth, which your article distorts due to your inability to understand lyrics. I'll agree that Blink-182 treats women as objects (and that's why I got rid of my Blink albums after Dude Ranch and never looked back). But Screeching Weasel? Come on.
""As long as you don't have lots of zits or small tits or crooked teeth, then you won't be a freak or wildebeest," it was hard not to be constantly conflicted about the fact that I was a woman, a young woman at that, with an awkward body and delicate confidence. "
The lyric is simply criticizing the way society attributes superficialities to a positive character. Anthem For A New Tomorrow, as a whole, ravaged against this notion.
I'm sorry for your insecurities. You're right, things like breast size shouldn't matter. And in the end it doesn't. But you have to admit that you are wrong to reinterpret these lyrics as to explain your insecurities. I believe that you legitimately listened to Peter Brady and were negatively affected by the lyrics. But you must also accept that you misunderstood the song, missing its point entirely, as the song fights for what you believe in.
This piece you wrote is unfair and a disservice to your readers who are unfamiliar with these bands.
By the way, Green Day's "Why Do You Want Him?" Is a song about the singer's mother.
Sincerely,
Michael Goodman
goodman0mATgmailDOTcom
Tokyo
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Yah, that would've messed up anybody.
I was born 3 years after Dookie was released, I came out of the womb listening to Rancid and The Ramones and Blink-183, etc. I turned 15 last month, I have pink hair, i wear bondage pants and band shirts and Dr.Martens, i'm pretty much the closest thing you'll find to a punk in this part of Pennsylvania. In my 15 years of listening to music, never once have I thought "oh, Blink-183 like blowjobs, I should go suck off every boy west of the Susquehanna" as far as my body goes, i'm cool with not being a size 2 with DD breasts, and the music I listen to has always comforted me when I have any sort of identity crisis or feeling of unworthiness instead of what they seemed to do for you. I think you either took the lyrics too seriously or you just needed something to blame your feeling of not being good enough on. I think the moral of the story is that Mark Hoppus, Tom Delonge, and Travis Barker don't even take Blink-182 seriously, neither should you.
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also LOLOLOLOL at a "hardcore feminist" saying screeching weasel is less misogynistic than blink 182 skdskghkdfh REMEMBER HOW BEN WEASEL IS FOREVER A SEXIST PIECE OF SHIT? remember???
"I'VE GOT A MESSAGE FOR YOU! I FUCKED IT UP AND I STILL TURNED OUT OK! AND I'M HAPPY BEING EVERYTHING YOU HATE! I'M STILL WALKING LIKE A JERK OUT IN THE RAIN. I STILL WAKE UP WITH A SMILE ON MY FACE!"
"I'VE GOT A MESSAGE FOR YOU! I FUCKED IT UP AND I STILL TURNED OUT OK! AND I'M HAPPY BEING EVERYTHING YOU HATE! I'M STILL WALKING LIKE A JERK OUT IN THE RAIN. I STILL WAKE UP WITH A SMILE ON MY FACE!"
Megan - Your article is good. I say that both as a writer and a long-time Screeching Weasel fan btw. Obviously it pissed off the band. But that's ok too. Whatever. The thing is, it's pointless to debate the "intent" of lyrics because most artists know that the majority of people either don't a) really listen to them or b) understand them.
The reality is that what you're looking for you're looking with. You were an insecure 13-year-old (like all the rest of us) and you loved the music. But the music is going to give you whatever message you're searching for. You *could* have taken away the empowering, the independence, the fuck you part. And you probably did to some extent.
But if you're a pre-teen girl trying to derive self-worth as a female from ANY band's lyrics, you're gonna be messed up. Period. We aren't emotionally and psychologically capable of carving up the healthy parts and dumping the rest. You're brain can't even distinguish between the two at that age.
So I guess what I'm saying is that it's not the songs' - or the bands' - fault that you resonated with those particular lyrics. It's like looking through the bible for 3 passages against homosexuality and then ignoring the other 500 pages on loving all equally. The whole picture is much different than your personal snapshot.
Megan - Your article is good. I say that both as a writer and a long-time Screeching Weasel fan btw. Obviously it pissed off the band. But that's ok too. Whatever. The thing is, it's pointless to debate the "intent" of lyrics because most artists know that the majority of people either don't a) really listen to them or b) understand them.
The reality is that what you're looking for you're looking with. You were an insecure 13-year-old (like all the rest of us) and you loved the music. But the music is going to give you whatever message you're searching for. You *could* have taken away the empowering, the independence, the fuck you part. And you probably did to some extent.
But if you're a pre-teen girl trying to derive self-worth as a female from ANY band's lyrics, you're gonna be messed up. Period. We aren't emotionally and psychologically capable of carving up the healthy parts and dumping the rest. You're brain can't even distinguish between the two at that age.
So I guess what I'm saying is that it's not the songs' - or the bands' - fault that you resonated with those particular lyrics. It's like looking through the bible for 3 passages against homosexuality and then ignoring the other 500 pages on loving all equally. The whole picture is always different than your personal snapshot.
And seriously, punk is about questioning authority, of any kind. So to ironically take a bunch of songs by mostly teenage boy bands so seriously is just confusing as hell to me.
In any case:
Girls aren't desirable because they want other dudes. They were desirable BEFORE that and that's why the singer is upset.
Having the wrong breasts is pretty analogous to fearing a girl's judgement on your dick. So that's just normal fear about being judged for your body, and not pop punk's fault.
As for forgiveness, a lot of people in counter culture's are attacked as being wrong and fucked up by society so they know they are "messed up", some aren't of course but if you listen to anything more serious than blink 182 adult's think you are messed up no matter what.
Being accepted even if you are fucked up isn't saying that mental illness is COOL. Typical suburbanite totally misunderstanding everything. That's such intense ableism that I can't even understand how an ostensible feminist hasn't been made to understand how unacceptable that is. They didn't choose to be fucked up or WANT to be fucked up. They were just already fucked up and pretty upset about it. And then you decide its cool??? Who is the asshole now?
As for forgiving the women, have you ever been in say a highschool or college cafeteria or a bar? So many conversations among girls about how that guy was a loser anyways. That's a gender neutral human coping mechanism where you focus on the bad in the other person to avoid some of the pain. Female punk bands do the same thing. The bands you happened to listen to were all guys so of course it seemed like women were not to be forgiven. Now go listen to some Riot Grrl and see the same thing but directed at boys/men.
Ben Weasel turned out to be relatively misogynist true, but that is one guy. Are all Christians murderers and rapists because of the crusades or the behavior of the evangelicals?
Alithea, I saw this article because I have Screeching Weasel liked on facebook. Presumably that is where a lot of people posting here come from. Also a lot of us just read the stranger already and saw this. I have to say, I thought the Stranger had more class than to publish something like this.
Seriously I just can't get past Why Do You Want Him? being used as dating advice. You read the liner notes religiously but you never understood the band well enough to know it was about his mother? Are you sure you were an actual fan and not just some privileged suburbanite trying to be edgy Megan?
Also, this article shows why you were so against playing my band's music on the locals only show and, in turn, made sarcastic comments about my band when you actually got around to playing it. Thanks for writing us off.
I hope you learn to be happy with yourself and not take your identity from everyone else around you.
All I can say is FUCK BLINK they are over-rated radio shit!
My parents were dicks, I got picked on all through school for being what the kickers referred to as "hair fucks" and I was told by everyone in my family that the best I could hope for was to find "a good man to take care of me." and I believed it! I did it!
I married well, had 3 kids and at 30 I woke up and said "I didn't want any of this" I divorced my husband, my parents told me it was the biggest mistake I ever made. They told me I was selfish and not thinking of my children's well being and that they would suffer for my decision. Nevermind that I was so very unhappy that I had, lets just say, done some things I'm not proud of. All out of desperation. No one cared!
Shortly after I got all my shit together I got laid off. I lost everything. Kids had to go to dad, I lost my place to live and my car. Instead of loving open arms from my family I got a big fat "I TOLD YOU SO" and a door to the face. I lived in a shed in a friend's back yard!
3 months later, I had a job, an apartment, my kids AND my car back. Everyday I was determined that I would prove them all wrong with one great big FUCK YOU!
When I got that job and got into my car and turned on the radio the same song played, and still does. Message in a Beer Bottle. It was my drive, it pushed me to do everything on my own because when I could look my mother in the face and say "I've done ok IN SPITE of you!" I felt my heart beat for the first time. I became who I always wanted to be and never believed I could.
I live my life how I want. I don't have a lot of money but we have everything we need, a lot of what we want and do my kids care that we don't have what we had 6 years ago? NOPE they care that they have a happy mom who is able to be their friend and have fun! I have learned how little I truly NEED to be happy, and even more surprised at how few of those things cost money.
As a teen, as woman, as a mother I would like to say THANK YOU TO SCREECHING WEASEL for being my "Eye of the Tiger", forever pushing me. I didn't want to just prove them wrong I wanted to say FUCK YOU! I never saw it their way and I always walked the path that I was told I shouldn't walk. Above all I DO wake up everyday with a smile on my face! That song inspired me to change my life and I always felt like Screeching Weasel had my back pushing me to do what had to be done!
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Ben Weasel should stop crying and be thankful anyone even remembers who he is. Don't worry Ben, we remember who you are! But if anyone forgot, I can repost the video of you HITTING A LADY IN THE FACE because she threw an ice cube at you!
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Maybe needed a better conclusion to clarify intent?...maybe people should just relax...
(Same goes for all the posters here who thinks that punk could not, by definition, support any status quo, and think they question all authority via their particular tastes in music and fashion)
This article made my day. I'm not going to pick it apart and scrutinize why I think Megan is wrong (I don't). Because this article 100% encompasses my teenage years. These bands provided the soundtrack for every awkward, romantic, heartwrenching, angsty and god-damn-fucking-happy moment I experienced from the age of 15 up until, well, NOW. I will never forget listening to my Dude Ranch cassette over and over again, wanting to be some guy's Josie and being jealous of my aunt in San Diego who ate at Sombrero all the time. Less Than Jake's records got me through the most painful breakup of my life at 19 (and I still consider them a favorite band). I wanted to cut my hair short after hearing the original version of "Move to Bremerton" by MxPx ("I'm a sucker for a short-haired girl with a pretty smile). My HIGH SCHOOL YEARBOOK QUOTE was a line from "Dammit" by Blink 182. I think people are looking to this article way too deeply and misinterpreting it. I read it and smiled. I'm still a ridiculous pop-punk teenager at heart, and I'm 28 now. No shame.
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PUNK AS FUCK!
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haha, good lesson, still true.
Be dissatisfied. Always. Have a mental illness. Do drugs and alcohol, and lots of both.
Of course.
This was a clever blog. I might do one for my era, I wonder if it would be similar.
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To the girls commenting about how this article totally misses the mark and you never thought you had to give everyone bjs because it was in a song no, maybe you didn't pick up on THAT message specifically. But you picked up on the messages that you're not supposed to complain, you're not supposed to get annoyed with your man, and hes allowed to do whatever he wants while women are held to a different standard didn't you? You're doing that right here with how men are allowed to say whatever they want but women are not allowed to comment on it.
No ones saying everyone has to like this article or that it's a set in stone rule for everyone. But there's no reason to insist NO IT'S TOTALLY NOT LIKE THIS FOR ANYONE YOU ARE WRONG. Maybe examine the points first, ask your other female friends who grew up in the punk scene their opinions, and think for yourself before having a knee jerk reaction. After all, isn't punk supposed to be about thinking for yourself?
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I feel like I just repeated bunch of old cliches and talk about things I have no knowledge on, but I was bored.
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I joined chorus which was where all the punk girls were, and finally met a group who were obsessed with music and weird movies and skating and shit and had actual interests beyond, "What does HE want me to be?" If it sounds like I'm bragging about how much cooler I was than you, I guess I am because to this day I feel really lucky to NOT have ended up one of those cases and to still be a total girl's girl.
But also, luckily for me, I grew up in the late 80s/early 90s, when there were tons of women to look up to. In Seling's case, I think there was a real lack of female role models. I think that matters more than anything.
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I remember seeing Greenday open for Rancid pre-dookie, they were throwing shirts and CDs in the crowd and the crowd was throwing them back saying "you guys suck!" because they suck.
These smarmy dicks now have a musical, nothing less punk than that.
I also remember drinking all of Blink 182s beer and throwing the cans at them.
Screeching Weasel was definitely telling you to be perfect, not that they were celebrating the weirdness in everybody or anything...
Now that I have your attention, I am 33 and it was the mid-90's punk revival that is what converted me to full on punk rocker. I have played in different punk bands, but the scene (if you can call it that) in Lexington, KY is small. Mainly a collection of friends going to see each others bands, but when touring groups come to town we show them that good ol' southern hospitality. They usually say they have a blast and come back even if they don't really make any money, just because the people are great fans and appreciate touring acts. I am trying to get a new band going, but a lot of my energy has gone to helping to get shitstarterrecords.com going. We have great bands from all over the U.S. including Seattle's own The Badlands!!! They have a new 7 inch out on electric blue (looks sweet). You can only get the blue 7 inch from the band or from Shit Starter Records and our partnership with Bandcamp.com. Go to our sight and you can link up with all The Badlands sites. If you download the mp3 version you get 2 bonus tracks!!! So, support a local band and help us get a label by musicians for musicians going. GET SHIT STARTED!!!
Pop punk always was a totally male dominated scene (thankfully this is becoming a little bit less true today). Although the males dominating it tended to more toward the nerdy, dysfunctional side of the social spectrum rather than the full-on headbanging, knuckle-dragging neanderthalism that characterizes some other music genres, they're certainly not free of the sometimes subtle and sometimes blatant sexism that still permeates the larger culture as well this particular subculture.
I'm glad Megan wrote this article, and I hope other women will weigh in with their opinions. God knows we've heard enough about it from dudes. Myself included, so I'll shut up now.












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