What Does Genius Sound Like?
The Stranger Genius Awards Recognize Music—at Last
AND THE NOMINEES ARE…? Seattle is overflowing with options.
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At last year's Stranger Genius Awards party, after the awards were presented for Visual Art, Theater, Film, Literature, and Organization, there was music. Bands performed shunted to one corner of the Moore Theatre's stage and DJs played in the basement bar, while the official Geniuses mingled, mostly in the lobby. These musical artists—acts like brainy indie-pop band Throw Me the Statue, goofy hiphop collagists Mash Hall, and young "chillwave" duo U.S.F., as well as DJ outfits Emerald City Soul Club and Trouble Dicso—weren't being honored, they were working; they were closer to the evening's caterers than the year's Geniuses. Like every other year, music was at the Genius Awards, but it was pushed to the periphery.
And so it's been with the awards themselves. Last year, Charles Mudede presented the Film Genius Award to Zia Mohajerjasbi (younger brother of Blue Scholars DJ/producer Sabzi), who was honored largely for his music videos. Mudede wrote in that week's issue: "More than anyone else, his images have captured the new energies of Seattle's emerging hiphop scene." Brendan Kiley presented the Organization Genius Award to the Pacific Northwest Ballet, praising the company for staging "a fierce 15-minute solo by Marco Goecke set to C.P.E. Bach and [punk rock band] the Cramps." Lindy West pointed out that Theater Geniuses the Cody Rivers Show took their name from "a satirical country-music character they used frequently in early performances."
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In years past, winners have included visual artist Wynne Greenwood of experimental video rock band Tracy + the Plastics, and theater-makers Implied Violence, whose work has frequently incorporated local musicians such as the Dead Science alongside recordings by the Wu-Tang Clan.
So where was the Music Genius?
It's been something we've debated at The Stranger for years. The main argument against having a Stranger Genius Award for Music has been that we already give enough attention to music. It's true that The Stranger devotes more space to music than to any other single arts section in the paper—we're as much a music paper as a gay paper or a Seattle paper.
And in years past, we've given back to the Seattle music scene via the now-defunct Big Shot competition, a battle of the bands driven by reader votes with prizes that included money, gear, recording time, and passage to SXSW. But Big Shot ended years ago and nothing has replaced it.
It's not like musicians don't need the money as much as other artists do. Anyone who thinks musicians are all swimming in piles of money, Uncle Scrooge–like, just isn't paying attention. The music industry is in shambles, its primary means of making money (selling physical recordings of musical performances) gutted by the advent of easy file-sharing technology. (Has visual art suffered so specific an economic meltdown? Has theater?) Even when the music business was at its most robust, not every musician was buying mansions. For every artist making money, many more struggle to make ends meet, and that's as true for musicians as for artists in any other field. The no-strings-attached $5,000 prize of a Genius Award could buy a band a van and enough gas to tour the United States.
So this year, we're thrilled to announce the first annual Stranger Genius Award for Music. That's got a nice ring to it, doesn't it? But what will genius sound like, exactly?
Well, what's most promising for the new category is just how much ground it could potentially cover. It could go to outré hiphop act Shabazz Palaces, for his expert and adventurous destabilizations of that genre's forms and norms. It could go to Throw Me the Statue songwriter Scott Reitherman, for his uncanny way around a wordy, brainy but utterly catchy pop tune. It could go to Decibel Festival founder Sean Horton, for his massively successful efforts to put Seattle on the international map not just as a rock town but as a hotbed of world-class electronic music. It could go to Jherek Bischoff, for his work with the Dead Science and other bands and for his more avant-garde compositional work. It could go to the Portable Shrines collective, for its work in facilitating an underground of new psychedelic happenings in Seattle's music scene. It could go to THEESatisfaction, for their Star Wars rebel (without a "pause") rap and R&B. It could go to Foscil and Truckasauras, for the linked crews' serious electro-acoustic jazz improvisations and their more popular and impish electronic party music. Or to countless others.
And we're open to suggestions. The first year of the Stranger Genius Awards, we invited the public to send us their ideas about who they thought deserved to be honored with the cash prize and the profile and the party. After all, there is no application process for the Genius Awards—the last thing we want artists to be doing is filling out paperwork—and we wanted to make sure there wasn't anyone we weren't thinking of. Sure enough, there was someone we weren't thinking of—Chris Jeffries, a theater artist and, of course, musician. Readers recommended him, and he totally deserved a Genius Award, so he won one.
So now we put it to you: Who do Stranger readers think should be honored with the first Genius Award for Music? And more importantly, why? Music, as much or more than any other art form, incites incredibly passionate debate. It's personal. Everybody has an opinion, and everybody has a favorite musician or band they think deserves greater recognition or material success. We want to hear your arguments for who deserves this award and what makes their work great—make your case in the online comments for this story.
Seattle is overflowing with musical genius. The only hard part will be narrowing the nominees down. ![]()
Thee Satisfaction seems the most likely to warrant the award. They are fresh, fun and breaking down barriers and stereotypes. For my money, that's genius.
11
I'm so glad there's finally going to be a Genius award for music! There are so many worthy contenders...
Apologies to all this Jeremy Bischoff or whatever, but the Dead Science is one of the worst bands I've ever heard. Like fingernails on a chalkboard. And I'm sorry to say, BUT THAT GUY SUCKS.
The Spits.
I'd like to see the grant go to someone who is doing a lot, but isn't necessarily a top-tier name that everyone instantly recognizes (Shabazz Palaces, Jherek Bischoff, etc). That way someone who otherwise wouldn't could come to the attention of many folks.
37
He writes amazing music that is poppy and dancy and fun, with some of the saddest lyrics ever. While most artists that I have met with the ability to be very prolific tend to be lacking in the quality, that has never been the case for Jared.
He is a total music genius, and the ManPlus are awesome fucking possum.
I totally concur with the Man Plus and Noddy suggestion! The guy has written hundreds of songs since I first saw him play at the Beacon Hill Pub and just tosses out these nuggets of gold. I haven't played a show with him in years, but he continues to pump out the catchiest stuff you've ever heard. I was always in awe of how easy it is for him. He is the best songwriter, a nice, funny guy and a genius for sure.
Keyboardist, composer and teacher/mentor Wayne Horvitz -- king of the downtown NYC jazz scene before he moved here and has continued his great experimental and collaborative genius projects...!
Sublime Frequencies.
Sublime Frequencies.
Sublime Frequencies.
Sublime Frequencies.
Sublime Frequencies.
Sublime Frequencies.
Sublime Frequencies.
Sublime Frequencies.
Sublime Frequencies.
48
Side tangent - there should be a separate category just to honor Mark Pickerel's hair.
Or Bill Horist. I don't need to elaborate on how much prestige and general musical goodwill Bill spreads around. He is also a deserving musician. He tours endlessly, releases new music constantly and really ought to be a role model for anyone trying to their own (solo) thing.
53
59
myspace.com/maliciousdischarge,
if only because when i saw them, they played the Star Trek Next Generation theme and the Battle Toads theme from Battle Maniacs. And theres already enough hip, indie, hopscotching, gibbard glory around this town already.
To clarify @35's comment, Alex Guy's project is called Led to Sea and it is, indeed, incredible and gorgeous stuff.
Corespondents
Diminished Men
Mike Dumovich
Brad Dunn
Heatwarmer
Bill Horist
Eyvind Kang
Thousands
Wesafari
In any event, it's clear that the recipients will be either:
a.) Shabazz Places
b.) Natalie Portman's Shaved Head
c.) Tacocat or
d.) Mad Rad.
The FIRST Stranger Music Genius award goes to...
Posthumously: Howard Bulson.
If you don't know, better ask somebody.
82
Karl Blau, Shabazz Palaces, AND Jherek Bischoff. Because Seattle has too many musical geniusus. I wish I were picking female or trans-identified folks, but Laura Veirs ran away :(
89
DECIBEL FESTIVAL a la SEAN HORTON pretty please.
90
DECIBEL FESTIVAL a la SEAN HORTON pretty please.
92
DECIBEL FESTIVAL a la SEAN HORTON pretty please.
Paul Rucker, cellist
Chris DeLaurenti, composer
Randy Hansen, insane Hendrix tribute artist
Richard Peterson, savant
For scene support:
Don Yates, Music Director of KEXP/KCMU
Doug Haire, Sonarchy Radio
Sean Horton, Decibel Director
Jonna McCurry, security at the Showbox
109
But seriously, Sean Horton has given this city a world-recognized music festival almost single-handed (almost! I see you dB crew members / volunteers). He transcends the "I like that one song I heard that one time on KEXP" value of many of the other mentioned nominees.
p.s Can someone please throw Grandy the Statue already? Geez.
113
www.sonicbids.com/reptet
i nominate Andrew Nunez owner of the SeaMonster lounge
Here's why... The true musical life blood of a city is the place where the musicians go after their paying gig to hang out with other musicians and really let loose. Last week SoulLive played Neumo's on wednesday, but monday night Alan Evans was throwin down drums for an open mic jam session at SeaMonster. Tuesday night Skerik (Les Claypool, Garage a Trois) sat in with Mctuff Trio, and Thursday night John Wicks(Cee Lo Green, B.o.B., Bruno) played a show at the Triple Door main stage with Syncopated Taint Septet & Charlie Hunter(who's also sat in on jams at the seaMOnster), then he rushed over to seaMonster to what else... sit in and jam. Oh yeah, there's never a cover charge at the seaMOnster and bands still get paid more fairly than any other place in town. When asked what is your favorite spot in seattle during his American Idol run, Blake Lewis said " the SeaMOnster lounge" where he honed his skills playing open mic. Sea Monster is that place and if you ask any of these musicians why they will tell you it's because of Andrew. do you know how hard it is to open a bar/restaurant/music venue by yourself and keep it open for 7 years, especially in seattle? No microsoft money, no college degree, just fucking SOUL! and by the way, Andrew's voice is AMAZING, and his band HAIKU-CHI rocks. He has been performing at the SeaMonster since it opened, anything from killing Prince covers to laying down live funk on many instruments, to hosting open mic, and SHANGHAI PEARLS burlesque show. the band HAIKU-CHI plays to crowds of 350 people on average with no help from THE STRANGER, THE WEEKLY, or KEXP. Their 2nd cd is set to be released JUNE 5 at the TRACTOR TAVERN and they deserve attention as much as any SHABAZZ, ESPRESSO, SATISFACTION, RAD, or insert stranger staff favorite band/dj. if you do any digging on this subject you will only find more reasons to honor this deserving genius who would use the money to keep the seaMONSTER going another couple months at least
They work too damn hard not to deserve this. And their fans love them too damn much. And, unlike most other artists, it's shown that they truly love their fans as well.
www.myspace.com/rishloo
www.facebook.com/rishloo
Choosing an individual artist or band seems like the wrong way to go.
HER is awesome, of course and absolutely worthy of support.
These guys are an unsigned electronica band, much in the vein of Owl City. Finally starting to pick up steam thanks to C89.5 and The End. I know they've been on MTV as well. They should be considered.
1.organization-Hollow Earth Radio
2. venue-the Josephine
3. musician- Paul Rucker
*All three of these have shaped and influenced how this city defines and redefines itself artistically. They all have started from the bottom up.





















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