Laibach, âDas Nachtlied Iâ (Mute). I didnât anticipate liking a Laibach album so much in 2017, but here we are. The Slovenian deadpan humorists have returned with Also Sprach Zarathustra, an LP that reflects Nietzschean philosophies about the âeternal recurrence of the same,â the death of god, and the Ăbermensch in an aural oubliette that makes you think futility is the ultimate drug. When a band can conjure such bleakness with such power and with so few gestures, itâs seriously impressive. If youâre a sucker for guttural German vocals and chilling, dungeon-aura minimalism, âDas Nachtlied Iâ will be right up your dark alley. Abandoning all hope⌠kind of feels good.
Lost Horizons, âThe Places Weâve Beenâ (Bella Union). Whatâs Cocteau Twinsâ former bassist/keyboardist Simon Raymonde up to? Well, he has a new group called Lost Horizons with ex-Dif Juz/Jesus and Mary Chain drummer Richie Thomas, and Raymondeâs Bella Union label is going to release their debut album, OjalĂĄ, November 3. This early warning, âThe Places Weâve Been,â lacks Cocteau Twinsâ overwhelming cascades of efflorescing guitars, concussive drumbeats, and Liz Fraserâs unparalleled vocal acrobatics. No, that was a once-in-a-century happenstance. What Lost Horizons offer instead, based on âThe Places Weâve Been,â is a pleasant pastoral reverie in the vein of Dream Academy or the Sundays. Featuring the pastel vocals of Karen Peris, the song spangles and pirouettes with a leisurely spriteliness, but underneath Raymonde and Thomas work out some subtle dub patterns. I'm intrigued to hear the rest of OjalĂĄ, which features guest vocals by Marissa Nadler, Sharon Von Etten, Liela Moss, Tim Smith, and others.
The Telescopes, âYou Canât Reach What You Hungerâ (Tapete). The Telescopes were poised to be the next big thing in the late â80s/early â90s with their whiplashing, hard psychedelia, Creation Records deal, and penchant for soaring Beach Boys covers (check out âNever Learn Not to Love,â which couldâve made Charles Mansonâs head explode with bliss, if heâd ever heard it). Alas, stardom never came for the Telescopes, but Stephen Lawrie, Bridget Hayden and company have persisted for nearly three decades, and nowadays are a much darker proposition, as new album As Light Return proves in spades. âYou Canât Reach What You Hungerâ is actually the most âpopâ thing on the record, and itâs still dank af. Imagine the Stooges circa âWe Will Fallâ trying to write a shoegaze songâor early Jesus and Mary Chain on strong sedatives. Yeah, this is murky, burrowing stuff, but it induces a seductive glumness that makes you work hard for its surreptitious euphoria. And thatâs rewarding.
Sarah Angliss, âCamberwell Beautyâ (self-released via Bandcamp). Deep gratitude to The Wire magazine for turning me on to Sarah Angliss this year. Her revelatory Ealing Feeder album somehow doesnât have a label, but no matter. Itâs a phenomenal collection of Wicker Man-like folk eccentricity, evocative field recordings, and bricolages of forlorn, bucolic beauty. In other words, fans of the Ghost Box label should take note. âCamberwell Beautyâ exists in a preternatural state of eerie calm and alluring mystery. It sounds like a rare artifact from a distant, much less toxic time, yet here it is on a shiny new Bandcamp page. Miracles still happen.
Kylmyys, âThe Hapsâ (Kylmyys Media). Over the last 20-plus years, hundreds of electronic musicians have been trying to emulate the smudged funk and hauntingly gorgeous melodic magic of Boards of Canada. Few have matched the Scottish duoâs faded-photo beatitudesâmaybe Casino Vs. Japan, Freescha, and somebody else currently eluding my memory? But Seattle twosome Kylmyys (Brian Kidd and Jason Chamberlain) have made a valiant attempt to ease on into BOCâs sublime downtempo territory with a series of releases that deserve wider attention, including the new full-length Dusk. âThe Hapsâ is the albumâs peak, riding crisp, head-nodding beats, delicate xylophone sparkles, and a serene, cyclical guitar figure into a sundown-shiver vanishing point. As satisfying as a deep, drawn-out sigh.
Noteworthy July 7 album releases: Jay-Z, 4:44 (Roc Nation); Broken Social Scene, Hug of Thunder (Arts & Crafts); Haim, Something to Tell You (Columbia); Toro Y Moi, Boo Boo (Carpark); The Telescopes, As Light Return (Tapete); The Melvins, A Walk with Love & Death (Ipecac); Chris Bell, Looking Forward: The Roots of Big Star (Omnivore/Rykodisc); Violent Femmes, 2 Mics & the Truth (PIAS); Prins Thomas/Bjørn Torske, Square One (Smalltown Supersound);