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It’s my first art project/object, and this is its first review…

…[T]he works of Zimbabwean film-maker and writer, Charles Mudede (based the US), and the Egyptian artist, writer, musician, Hassan Khan, curated by ACAF, had little to do with making “Africa” more visible in a pan-European biennial.

Clare Butcher, a great name for a critic, writes for a South African online art journal called Artthrob.

Charles Mudede—who writes about film, books, music, and his life in Rhodesia, Zimbabwe, the USA, and the UK for The Stranger—was born near a steel plant in Kwe Kwe, Zimbabwe. He has no memory...

4 replies on “The Twilight of the Goodtimes”

  1. That sounds wonderfully impenetrable. Thank you. I’m baffled by all the people who complain about you being brainy. The reason I hardly go to contemporary art exhibitions any more is because it’s all so insultingly stupid: so often predicated on the idea that I’m some bovine herd that needs to be prodded in order to “think”. The idea that a piece of art would need a researcher is manna in the desert for me. I’m not in Spain, but I’ll keep an eye out for chances to see this.

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