Give A Little, Change A Lot!
Resolve to support local journalism in 2026.
A streaky, faceless Madonna holds her dead grown child, over and over, in pietà-patterned wallpaper. A drippy sculpture that at first appears to be entirely abstract is revealed as you walk around it to have multiple facades, each one the profile of a dilapidated naked man (and his erection) in a sequential state of slumping or rising…
Jen Graves (The Stranger’s former arts critic) mostly writes about things you approach with your eyeballs. But she’s also a history nerd interested in anything that needs more talking about, from male... More by Jen Graves
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