Maria, Maria

Maria, Maria—the melancholy prostitute

Directed by Mikhail Kalatozov, and financed by the Soviet Union, I Am Cuba is an epic that contains neither hard individuals nor personal experiences, but only subjects of a world-historical movement, a mass advancement, a triumphant (and bloody) march from a state of raw economic exploitation by multinational corporations and the American tourist industry to a new state of socialized production, education, transportation, and health. The subjects in the movie are wired to the spirit of the times. The melancholy prostitute, the severe soul singer, the serious student, the mountain peasant, the sugarcane farmer, his beautiful children, even his horse—from within each the whole idea of freedom is emerging. And the greatness of the revolution is matched by the greatness of the film’s form.

I Am Cuba screens this evening at the 45th Seattle Film Festival. For a comprehensive breakdown of what’s showing this final week of SIFF, and when, visit The Stranger’s SIFF site.

Charles Mudede—who writes about film, books, music, and his life in Rhodesia, Zimbabwe, the USA, and the UK for The Stranger—was born near a steel plant in Kwe Kwe, Zimbabwe. He has no memory...