Last Saturday at 8:27 a.m., a freshly wrapped ham and brie sandwich
tumbled toward my feet. “It’s from the Metropolitan Market,” explained
the woman several seats over, “not from here.” I may have just slung my
jacket over a seat at the Pacific Place movie theater, but I realized
right then: I’m really at the opera. Opera fanatics always
prepare.
An hour later, an all-star cast sang in the Metropolitan Opera’s HD
transmission of Richard Wagner’s Tristan und
Isolde. It was one of the most memorable performances I have
seen live, on DVD, or anywhere. Deborah Voigt was a steely and superb
Isolde. Michelle DeYoung (Brangäne), who herself will one day be
an amazing Isolde, and Matti Salminen (King Marke) were marvelous.
Robert Dean Smith, the fourth (!) Tristan cast in this ill-starred run,
replaced an ailing Ben Heppner with a voice that gave me goose
bumps.
The performance’s sole flaw? The visual direction by Barbara Willis
Sweete, who employed the Met’s legion of cameras to continually insert
picture-in-picture close-ups on the screen.
At intermission, one wag commented, “It’s like the opening of The
Brady Bunch.” Rather than underscore relationships among the
characters, Sweete’s primitive attempt at visual polyphony proved
distracting, most flagrantly near the end of Act I. As Tristan and
Isolde embrace after drinking a love potion, Sweete disfigured a
tableau of gorgeous scarlets and reds by nesting two close-ups at
opposite corners of the screen.
The Met’s next HD performance will likely be free of
picture-in-picture shenanigans; Angela Gheorghiu and Ramón
Vargas star in Franco Zeffirelli’s production of Puccini’s La Bohème. Expect the essence of grand opera: a
cast of thousands, palatial sets, sumptuous costumes, and world-class
singing. 
The next Met HD broadcast airs in various Seattle-area movie
theaters Sat April 5, 10:30 am, $15–$22. See www.metopera.org/hdlive for
tickets and locations.
Fri 4/4
GIANNI SCHICCHI
Singers from Seattle Opera’s Young Artist Program star in fully
staged productions of two one-act operas, Puccini’s Gianni
Schicchi and L’enfant et les Sortilèges by Ravel.
Think of the Seattle Opera’s Young Artists Program as minor-league
baseball for opera singers: younger, hungrier, and sometimes much more
fun than the majors. Also Sat April 5 at 7:30 pm and Sun April 6 at 2
pm. The Theater at Meydenbauer Center, 11100 NE Sixth St, Bellevue,
389-7676, 7:30 pm, $15/$35.
NORTHWEST SINFONIETTA
Conductor Christophe Chagnard leads an all-Beethoven program: the
titanic Symphony No. 9 and the utterly unknown Calm Sea
and Prosperous Voyage. Perhaps Beethoven’s biggest hit, the
stirring final movement of Ninth always makes me want to saddle up and
ride into battle. By contrast, Calm Sea, a choral setting of a
Goethe poem, soon vanished into obscurity, eclipsed by Mendelssohn’s
version without voices. Also Sat April 5 at the Rialto Theater in
Tacoma. Town Hall, 1119 Eighth Ave, 888-365-6040, 7:30 pm,
$12—$40.
EYE MUSIC
This ensemble specializes in performing graphic—instead of
traditionally notated—scores. Dean Moore, whose solo
improvisations on multiple racks of percussion can teeter at the edge
of audibility, interprets a page of Cornelius Cardew’s
Treatise on solo gong. Fellow ensemble members Eric
Lanzillotta, Mike Shannon, Dave Knott, Esther Sugai, and others
premiere Shannon’s Matrix along with works by Toshi
Ichiyanagi, Bob Cobbing, Michael Parsons, and David Toop.
Fourth-floor Chapel Performance Space, Good Shepherd Center, 4649
Sunnyside Ave N, 8 pm, $5—$15 sliding-scale donation.
APHONIA RECORDINGS SHOWCASE
I wish more shows mingled pop and the decisively avant; don’t most
music lovers listen to multiple genres of music? This month’s showcase
features an acoustic set by Kristian Garrard (aka KRGA), performance
artist Denis & Denyse, the Spokane-based indie pop of Daedelum, and
the Precambrian, who use Cycling 74’s ultraflexible Max/MSP software to
“transform unassuming instruments, voices, and occasional household
items into dense, Ligeti-esque tone clusters.” Gallery 1412, 1412
18th Ave, 322-1533, 8 pm, free, but donations accepted.
Sat 4/5
LADIES MUSICAL CLUB
A classical-music bargain. A slew of singers sally through songs,
arias, and duets by Verdi. Frye Art Museum, 704 Terry Ave,
622-6882, 2 pm, free.
BAROQUE NORTHWEST
Making a virtue of the obscure and overlooked, Baroque NW performs
Franco-Flemish songs from the late 15th century. Preconcert talk starts
at 7:15 pm. Fourth-floor Chapel Performance Space, Good Shepherd
Center,
4649 Sunnyside Ave N, 368-0735, 8 pm,
$10—$25.
GRETA MATASSA QUINTET
One of our burg’s finest jazz vocalists, Matassa sings standards,
old chestnuts, and forgotten gems. With saxophonist Alexey
Nikolaev. Tula’s, 2214 Second Ave, 443-4221, 8:30
pm—12:30 am, $15.
Tues 4/8
GHIDRA
Ghidra, the out-jazz skronk trio of Wally Shoup (alto sax), Bill
Horist (guitar), and Accüsed drummer Mike Peterson (drums), share
a bill with the Bob Barker Bloodbath, who veer from ear-clogging metal
to sunny pop ditties in a trice. Sunset, 5433 Ballard Ave NW,
784-4880, 9 pm, $6.
