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  • DEVON YAN-BERRONG

Hong Kong native and local designer Devon Yan-Berrong‘s Devonation spring/summer 2013 couture collection pairs crisp geometric shapes with boxy silhouettes to emphasize the space between the fabric and the body, and the best look is a short bright dress made from a mystery synthetic. “I don’t know the English word for it,” says Devon of the material, though its texture and shininess suggest a specific blend of ingredients—plastic tablecloths, spaceship insulation, oil slicks, sheet rubber, and garage-sale records—melted in the sun, then stirred together.

Embodying the sheen of 1970s-era retro-futurism, his other designs contain sunburst angles and flat colors and general spotlessness. Devon’s models come off as well-kept women, hardened by privilege. One with long, fluffy hair has a columnar dress of pleated chiffon that descends into falls, or spreads and trails with movement. The gloves she’s wearing are fitted so tight and scooped so deep that her hands seem to have been dipped, just past the knuckles, into buckets of paint. More mod details creep in: dangling, Edie Sedgwick–style tasseled earrings; curls flattened, glossed, and pasted onto foreheads; and hats with domed shapes, as if the thoughts drifting up got trapped inside, forming balloons.

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Marti Jonjak—The Stranger’s fashion columnist—has a technical degree in apparel design and works in the garment industry. Her treasured casual-wear aesthetic is both glamorous and trashy, suggesting...