For theaters around the country, the airwaves are already crowded. Finding open frequencies for their wireless microphones and other devices can be tricky. That requires hopping around in the unused “white space” of America’s broadcasting spectrum and hoping a more powerful transmission—from a passing emergency vehicle or big convention—doesn’t stomp on their signals, causing loud popping and squelching sounds.
But the airwaves are about to get even more packed.
Sound engineers and technical directors are warily watching for a new ruling from the Federal Communications Commission about when it will begin to auction off slivers of the 600 MHz band of the broadcasting spectrum…
