Longform recently called attention to a great Vulture oral history that I missed last month:

Sir Mix-a-Lot: There was one event that really made me think that I should do a song about this, which was irritating the shit out of me. Amy and I were at a hotel on tour, when we saw one of the Spuds MacKenzie ads for Budweiser during the Super Bowl. You’d see these girls in the ad: Each one was shaped like a stop sign, with big hair [and] straight up-and-down bird legs. There’s nothing wrong with that, but I was so sick of that shit… If you look at Dolly Parton at her peak, a lot of white guys were like “daammn!” At the same time, when I did casting calls for videos, curvy women wouldn’t show up. They thought they didn’t have a chance.

Frustration led to lyric-writing, which eventually led to this: “Walked on the set, and the first thing I saw was a 50-foot yellow ass.” The history also explores whether the hit was “objectification” or “a revolution.” It’s all well worth the read.

Eli Sanders was The Stranger's associate editor. His book, "While the City Slept," was a finalist for the Washington State Book Award and the Dayton Literary Peace Prize. He once did this and once won...