I have never recommended seeing a movie in 3-D, let alone IMAX 3-D, because films should either succeed in 2-D or they arenât worth seeing. But for Alita: Battle Angel, I willâfor the first timeâtell you to splurge on the IMAX. I canât stop dreaming about the glimmering city in the clouds that hovers above the filmâs sci-fi setting.
Alita is as much about whatâs in the distance as it is about whatâs coming toward youâwhich, BTW, is a giant robot with finger knives! The story (cyborg woman is found comatose in trash heap, makes heroic journey to rediscover her past and her martial arts skills) lovingly smooshes at least three story arcsâ worth of plot into a single 122-minute film. People might say thatâs too much, or complain that there are weird scenes where characters point at hunter-warrior bounty hunters and say things like: âThatâs a bounty hunter. We call them hunter-warriors.â
But I have no idea how Alita could have been done better. Iâve read all the Battle Angel comics, which manga artist Yukito Kishiro started publishing in 1990, and I could rattle off all the differences and references in director Robert Rodriguezâs adaptation. But Iâd rather talk about what this film is: a fun, exhilarating realization of a sci-fi story that, even now, audiences may not be ready for.
Alita is about bodies. Throughout Kishiroâs 30-some graphic novels, Alita loses her eyes. She loses her limbs. Sometimes she gets entirely new bodies. Alita is a coming-of-age tale, but one about rebirth, not youth. Itâs about someone who repeatedly thinks her life is over, and each time starts again, using whatever forms she can inhabit.
In the film, thereâs an added meta element to all this: Through motion capture, flesh-and-bone actress Rosa Salazar plays the computer-generated Alita. âItâs amazing to see Rosaâs spirit, her light, come through,â producer James Cameron says in a promotional short for the film, and heâs right.
Salazarâs sensitive portrayalâenhanced by Alitaâs robotic limbs and oversized, anime eyesâonly strengthens the focus on conflict and competition that makes Alita so exciting. From the very start, Kishiroâs Alita was a battle comicâa serialized story to entertain young people with artful fight scenes.
But Alita also asks questions about humanity and its fragility; the story was always meant to be as insightful as it is entertaining. With this visually stunning adaptation, we should applaud Alitaâs depth, not split hairs over her eyesâwhich, in the film, are irresistibly beautiful.