The violin limit-pushing of Sudan Archives is lovely and accessible. Credit: ALEX BLACK

The violin limit-pushing of Sudan Archives is lovely and accessible.

The violin limit-pushing of Sudan Archives is lovely and accessible. Experience it at Barboza next Fri., Feb. 21. ALEX BLACK

Sometimes it pays off to listen to an artist simply because they have an intriguing name. In the case of Sudan Archives, I was hooked from the moment “Did You Know” (the lead-off track on 2019’s Athena) dropped from sparse violin string plucks and honeyed vocals into a heavy, synthesized low-end groove, fuzzed and snapping beat, and flippant, multi-tracked vocal pipings.

Sudan Archives isn’t from some far-off land, as her name implies, but Cincinnati, Ohio. She’s mostly self-taught on violin, which she became interested in after a group of fiddlers played for her fourth-grade class. She learned to play by ear, honing her skills in the church band. She was born Brittney Denise Parks, but she’s been known as Sudan since she was a teen, a name she not only assumed but has come to embody in her sound, which began to take shape after she discovered the one-string fiddling of Northern Africa.

Leilani was the managing editor at The Stranger beginning in January of 2017. In addition to her boring administrative duties, she sometimes got to write stuff. She’s also a Phishhead, and doesn’t...