I was grumpy at last November’s Ballard Jazz Walk, but I blame
myself: I arrived quite late and as I walked along Ballard Avenue, the
event’s main corridor, every venue was crowded, if not almost full. At
Bad Albert’s, a corner restaurant nestled along the aptly named Dock
Street, I crammed myself into a crowd savoring singer Greta
Matassa, who after announcing, “The only foreign language I speak
is scat,” let out a long “bop-bah,” and growled her way into “Stompin’
at the Savoy.”
Matassa returns to the Jazz Walk this year (Bad Albert’s, 8 pm) as
does the superb Hadley Caliman (Conor Byrne Pub, 8 pm) and his
quintet. Once nicknamed “Little Dex” due to his study and friendship
with tenor saxophone titan Dexter Gordon, Caliman, now nearing 80,
remains robust and lyrical. Last November at the Jazz Walk, Caliman
smoldered his way through Herbie Hancock’s “Maiden Voyage” with ace
trumpeter Thomas Marriott. In addition to his continuing
partnership with Caliman, Marriott fronts drummer Matt
Jorgensen‘s quartet (Conor Byrne Pub, 9:30 pm).
The Walk also features two unusually configured groups. The adept
vibraphonist Ben Thomas leads a trio with bassist Jon
Hamar and clarinetist Erik Likkel (The Collective, 7 pm);
Likkel complements Thomas, shading the latter’s effervescent vibraphone
solos with dusky color and added heft.
Fans of the avant: Don’t miss trumpeter Cuong Vu‘s group
Speak (Sunset Tavern, 11 pm). A longtime collaborator with Pat
Metheny, Vu charges his trumpet with electronic processing: echo,
distortion, and countless layers of microscopic delays. More than just
a latter-day Don Ellis, Vu has a gift for smartly inserting his sound
anywhere in the music, thus inverting the relationship between soloist
and accompanist in surprising ways. Earlier that night (Sunset Tavern,
8 pm), Wayne Horvitz helms a quartet with saxophonist Mark
Taylor, stalwart bassist Geoff Harper, and Eric Eagle on drums.
I’m also eager to hear Brent Jensen (New York Fashion
Academy, 8 pm). The Boise-based soprano saxophonist is a
master of
the notoriously difficult and finicky member of the saxophone family;
he has a lovely, breathy, mellow tone, ably breathing with his
instrument without swerving out of tune. Jensen has a formidable
quartet behind him—pianist Bill Anschell, bassist Jeff
Johnson, and festival
honcho/drummer John
Bishop—the same group from his fine 2007 disc One More
Mile (Origin).
The next generation of jazz musicians opens the Walk: Trombonist
Andy Clausen, a junior in Roosevelt High School’s renowned jazz
program, leads a hard-charging sextet (Egan’s Ballard Jam House, 6:30
pm). 
Check out the Ballard Jazz Walk on Thurs Nov 20, www.ballardjazzfestival.com,
219-3649, 6:30 pm–midnight, $18 adv/$25 DOS or a five-person
group pass for $75.
Thurs 11/20
SEATTLE SYMPHONY
Theories abound for the famous “Seattle Freeze,” that transethnic
compendium of ostensibly friendly gestures (e.g., the “flake ‘n’ fade”)
that ultimately results in a cool yet smiling indifference among
friends—friends whom you eventually recognize are cheery yet
passing acquaintances. Some fault our region’s Scandinavian heritage,
while others blame the mild, gray weather that crops up year round. As
a Seattle native, I hear a sonic parallel to the freeze in the second
symphony of Jean Sibelius; the Finnish composer embedded the work with
calm, throbbing lines whose well-greased transitions into seemingly
unrelated sections belie an aloof, gelid calm. It’s gloomy but noble,
just the kind of scared self-pity resting at the root of the freeze.
Anyway, Vassily Sinaisky, one of the BBC Philharmonic’s legion of
regular conductors, visits to lead the band in the Symphony No.
2 of Sibelius and Tchaikovsky’s Romeo and Juliet
Overture-Fantasy. Yevgeny Sudbin is the piano soloist in
Rachmaninoff’s Rhapsody on a Theme of Paganini. Also Fri Nov 21
at 1 pm, Sat Nov 22 at 8 pm, and Sun Nov 23 at 2 pm. Benaroya Hall,
200 University St, 215-4747, 7:30 pm, $17–$105.
DUO JUUM
Translated, “juum” is Mayan for “noise.” This aptly named duo blends
voice, violin, video, and gritty, software-propelled sound. Chapel
Performance Space, 4649 Sunnyside Ave N, 789-1939, 8 pm, $5–$15
sliding scale donation.
Fri 11/21
MESSIAEN ORGAN CYCLE
While his contemporaries in the avant-garde all but bleached
rhythmic pulsation and luxurious melody out of their compositions,
Olivier Messiaen (1908–1992) grandly intermingled chant-based
hymns, transcriptions of birdsong, and Hindu rhythms. The penultimate
installment of this cycle devoted to the master’s complete organ music
continues with the Méditations sur le Mystère de la
Sainte Trinité. The title is daunting but the 80-minute
work’s nine relatively short movements make it an ideal spot from which
to plunge into Messiaen’s singular sound-world. St. Mark’s
Cathedral, 1245 10th Ave E, 323-1040, 7:30 pm, $12/$18.
PETER MACK
I love musical miniatures; short pieces offer an excellent chance to
discover unknown or plainly not-so-famous composers. Mack, the faculty
piano guru at Cornish, saunters through over three dozen short works
under rubrics such as “War,” “Pieces for Left Hand Alone,” and “Jazz.”
Composers include Muzio Clementi, Debussy, Madeleine Dring, Gershwin,
György Kurtág, Billy Mayerl, Satie, and many more.
PONCHO Concert Hall at Cornish College, 710 E Roy St, 325-6500, 8
pm, $7.50/$15.
Sat 11/22
RAY SKJELBRED
This poet and pianist—I have several of his obscure LPs from
the 1970s—remains a sterling exponent of ragtime and stride
piano. New Orleans Creole Restaurant, 114 First Ave S, 622-2563,
5–8 pm, $10.
Mon 11/24
STRIKETHROUGH
Intriguing titles have emerged as a surprisingly alluring byproduct
of this enigmatic series. Cellist Paul Rucker performs Not a Single
Statue, Memorial, or Certificate Exists… at this monthly
antiperformance curated by Seattle School. Strikethrough’s refusal to
admit attendees pries open a crepuscular space for you to surmise what
might be happening, what should happen, and what will never happen.
Yes, you can go into the theater and ponder what the performer is doing
inside the walled box onstage, but when I went earlier this year, I
simply sat at the bar and imagined. Rendezvous Jewelbox Theater,
2318 Second Ave, 441-5823, 8 pm, free.
