It was a big breakup weekend, unfortunately, as two Seattle bands officially called it quits last week. Old-school punks Mea Culpa sent out a tense e-mail announcing "as things stand, it probably wouldn't be very constructive [to play a final show]," while Sub Pop boys the Catheters are also splitting. Catheters guitarist Derek Mason is pursuing school at UW full time, so the band decided to fold rather than replace him--although the remaining members are planning on continuing to play music. "Derek was an original member" says drummer Davey Brozowski, "so we figured it'd be better to just end things there." So sad. Look for final Catheters shows in October.

Also last week, the battle of Seattle's vinyl-collecting finest took place at the Twilight Exit for a "Singles Party" (i.e., a 7-inch competition). DJs from the Lava Lounge, Chop Suey, the Twilight, the Eagle, and other party nights/venues spun mixes of garage, pop, hiphop, and classic rock for 15-minute sets. The competition was so tight, we judges had to call a draw--but one clear winner was the bacon-wrapped shrimp from the BBQ spread.

The Blood Brothers recently paired up with New York avant punks Liars. According to Liars guitarist Aaron Hemphill, the bands are recording a split single that's "part music, part art project" to come out on Hand Held Heart (oddly enough, they'll be covering different songs by the Doors). And the Intelligence had a run-in with the LAPD on their California tour. On that group's August L.A. stop, a police car hit the sirens last minute and ran a red light, careening into a Saab that then hit the Intelligence's van. Luckily, no one was hurt--except, I'm sure, the cops' pride.

On Friday, September 3, the Punkin House hosts avant folksters Old Time Relijun, electro-pastiche artist Secret Mommy, Portland's Panther, and locals Mikaela's Fiend. (For house address/info, go to www.seattlediy.com/punkinhouse.) Also Friday, Chop Suey hosts the long-awaited release party for charming electro-pop artists IQU (see page 41). On Saturday, September 4, the Dalmatians offer their recorded debut. Opening for like-minded animals the Unicorns, the Dalmatians turn electro punk into a basement party where everyone within earshot is invited. The Dalmatians' debut disc, Pop/Rock/Ruff-Drafts, boasts more caffeinated sugar fizz than a case of Rockstar. The trio's tight rhythm section is augmented with handclaps, gym whistles, simple Casio beats, and breathless male/female vocals. The group chants about staying positive, sibling relationships, and "getting your awesome on" vs. "getting your jerk on" to buoyant melodies framed by fuzzy distortion. The seven-song disc is an excellent introduction to this up-and-coming act--and live they dramatize that restless energy even more.

jennifer@thestranger.com