You smell that? No, not the early morning chill or your neighbor smoking their midday joint. That smell is peak film festival season.
Today is the first day of the National Film Festival for Talented Youth (NFFTY) as they pivot to virtual-only due to the pandemic. The local fest highlights shorts by directors 24 and under from across the country, running through November 1.
Their programming is extensive this yearâ234 films in 30 program showcasesâin addition to live events like watch parties, filmmaker Q&As, workshops, etc., which NFFTY will record and make available after the fact. The movies are available to stream (internationally!) whenever you want during the ten days; you have 48 hours to watch after unlocking the showcase of your choice.
For The Strangerâs NFFTY roundup, we decided to focus on their Pacific Northbest showcase, featuring young directors from our neck of the woods. Here are three of our favorites from the block:
Seattle, WA; 13 minutes 37 seconds; dir. Brendan Hickey
There was no way I wasn't going to like this finely crafted short about culturally savvy Seattle teens throwing a house show. It's got an excellent shot of Fremont Peak Park, the Best Little Park in Seattle. It's hard to take a good shot at this spot, as anyone who's tried to take a photo from this lookout knows, and this team gets it right. In general, the mood here is really right: a group of queer teens bumbles around Seattle, drinking Pog and listening to Hunx and His Punx. The references are fresh. The pacing is idiosyncratic. I was wholeheartedly delighted by this. Make it a series, thanks. CHASE BURNS
Seattle, WA; 13 minutes 49 seconds; dir. Nifemi Madarikan
Eugene, OR; 10 minutes 27 seconds; dir. Miles Dixon
This exceptionally tender and fast-paced short follows a young, nervous filmmaker who prepares to say goodbye to his best friend before he moves across the country. The Days Are Just Packed reflects its name: its tight ten-minutes pack in a dizzying amount of scenesâbut director Miles Dixon's compounding, empathetic scenes work, stirring up the rush of late-teen years. The pacing feels controlled, and Dixon (a Young Arts finalist) stages some scenes so wonderfully they feel classical. I'm thinking about one scene, in particular, filmed under a tree. Dixon didn't classify this as an LGBTQ+ film, but LGBTQ+ audiences will find queer themes here. CHASE BURNS