MONDAY 1/26 

Lady Windermere's Fan

(FILM) I attended my first Silent Movie Monday last month, and now I am completely obsessed. The film series pays homage to the history of our beloved Paramount Theatre, which opened in 1928, showing silent films accompanied by live musicians on the theater’s original Mighty Wurlitzer (a single organ that’s connected to various pipes and percussion instruments), and serving free, old-fashioned bags of popcorn—it’s truly like stepping into a time machine. For the next Silent Movie Monday, organist Donna Parker will soundtrack Ernst Lubitsch’s 1925 adaptation of Oscar Wilde’s Lady Windermere’s Fan. Set in 1890s London, the film follows an elegant society woman who’s convinced her husband is having an affair. It’s full of drama, scandals, and stunning costumes. Warning: You will likely leave the theater wanting to cut your hair into a 1920s bob. (Paramount Theatre, 7 pm) AUDREY VANN

TUESDAY 1/27 

Honorée Fanone Jeffers

See Honorée Fanonne Jeffers at Town Hall Seattle Tuesday, January 27. SYDNEY A. FOSTER

(LITERATURE) National Book Award-nominated fiction writer, poet, and essayist HonorĂ©e Fanonne Jeffers spent 15 years researching archives for her critically acclaimed 2020 collection The Age of Phillis, which reimagines the life of revolutionary 18th-century poet Phillis Wheatley. For her next act, she published her 2021 debut novel The Love Songs of W.E.B. Du Bois, an ambitious 816-page intergenerational epic that traces a Black family’s lineage from before the Civil War to the present. Her latest work is her nonfiction debut Misbehaving at the Crossroads, which explores the crossroads—defined by Jeffers as “a location of difficulty and possibility, a boundary between the divine and the human”—in Black American and African cultures. Jeffers will join host Colleen Echohawk, Community Roots Housing CEO and Seattle Arts and Lectures’ Community Curated Series director, for a discussion on this fascinating intersection. (Town Hall Seattle, 7:30 pm) JULIANNE BELL

Cate Le Bon, Frances Chang

(MUSIC) Sometimes you listen to an album, and your first thought is “Well, this is gonna be my whole personality for a while.” Cate Le Bon’s newest, Michelangelo Dying, is one of those. It’s a no-skip record, and one of my favorites, “Is It Worth It? (Happy Birthday),” could be a B-side on Ziggy Stardust. You have two chances to see Madame Le Bon today: first at 11 a.m. at the KEXP In-Studio show (which is free! As long as you’re willing to get there early and snag your spot), and second, at 8 p.m. at the Neptune, with special guest Frances Chang. (Neptune Theatre, 8 pm, all ages) HANNAH MURPHY WINTER

WEDNESDAY 1/28 

Stuff You Should Know

(COMEDY) If you’ve ever lost an hour falling down an internet rabbit hole, there’s a good chance Stuff You Should Know contributed to it in some way. Hosted by Josh Clark and Chuck Bryant, the SYSK podcast has spent nearly two decades unpacking the history, science, and cultural weirdness of everything from Ouija boards to Pop-Tarts to Nazis on meth (yes, really). Racking up 2,700+ episodes and billions of downloads across the web, the pod has been the inspiration of many a YouTube deep dive, and now it’s coming to Seattle, live! It’s all that curiosity, joking, and banter delivered directly to a room full of fact-loving nerds, sans the HelloFresh commercials. (Paramount Theatre, 8 pm) LANGSTON THOMAS

THURSDAY 1/29 

Ogemdi Ude: MAJOR

(PERFORMANCE) Majorette dance has been a staple of Black girlhood since the 1960s, when it was popularized at HBCUs (Historically Black Colleges and Universities) in the American South. Dressed in their signature glittery costumes, majorettes dance alongside marching bands and display bold showmanship, glamour, precision, power, and sensuality. In this contemporary performance directed and choreographed by Ogemdi Ude, six Black femmes will pay homage to the majorette dance form, accompanied by composer Lambkin’s score blending “Southern rap, horns, drumlines, and melodic R&B and soul.” Back in September, On the Boards executive director Megan Kiskaddon told Stranger staff writer Nathalie Graham that MAJOR is the show everyone must see in the venue’s 2025–2026 season, explaining, “It’s one of those pieces that anyone would get something out of, because it’s so exuberant.” (On the Boards, 8 pm, all ages) JULIANNE BELL

FRIDAY 1/30 

Merlantis, or the Great Pacific Garbage Patch

(VISUAL ART) What lies beneath the Great Pacific Garbage Patch? An underwater city loosely based on Seattle and built of fallen trash, of course. While “the damaging effects of commodification and rampant capitalism on our planet” sound like heavy themes for troubled times, this exhibition put on by the group True Misschiff promises to handle the subject with campy panache in an attempt to “normalize non-normative approaches to life and gender” through the adventures of characters like Brosiedon, the douchey ruler of the merpeople. Base Camp 2 has recently restructured its exhibition timeline to focus on four big shows a year, which is great news, as the massive old luggage store space lends itself to immersive worlds such as Merlantis promises to be. In addition to ticketed events and cabaret performances (sponsored by the fictional corporation Blissfish), there will be art for sale, a thematic gift shop, and more fishy shenanigans available through March. (Base Camp 2, through Feb 28) AMANDA MANITACH

SATURDAY 1/31 

Cinderella

The Pacific Northwest Ballet's production of Cinderella runs through February 8. ANGELA STERLING

(PERFORMANCE) Pacific Northwest Ballet’s production of Cinderella was conceived and choreographed in 1994 by founding artistic director and choreographer Kent Stowell, who sought to emphasize the romantic nature of the fairy tale in contrast to the tragicomic sensibilities of earlier modern productions. The result is an enchanting, swoon-worthy confection filled with dazzling costumes by Tony Award-winning costume designer Martin Pakledinaz and fantastical sets by scenic designer Tony Straiges. Fun facts: The production features over 120 costumes, which required more than a mile of tulle to make, and the trim on Cinderella’s ball gown alone took over 100 hours to create and sew. (McCaw Hall, various times, all ages) JULIANNE BELL

SUNDAY 2/2 

The Chronology of Water

Imogen Poots as Lidia in The Chronology of Water. THE FORGE

(FILM) “I remember things in retinal flashes. Without order. Your life doesn’t happen in any kind of order
 It’s all a series of fragments and repetitions and pattern formations. Language and water have this in common,” the Oregon-based author Lidia Yuknavitch writes in her 2011 memoir, The Chronology of Water. It follows, then, that director Kristen Stewart’s film adaptation of the book opens without clear exposition. Instead, the camera is submerged, trained upward toward a figure in a red swimsuit. Blood spills onto a shower’s tile floor. The two images—which happen years apart in Lidia’s (Imogen Poots) life—set the tone for a film revealed in fragments of trauma. Read the full review at the Mercury. (SIFF Film Center, 7 pm) LINDSAY COSTELLO