One of the many moments of tragic enthusiasm in this play. BRONWEN HOUCK
Any play that involves an obscenity trial has a high probability of piquing my interest, if only because the most fascinating obscenity is always the trial itself.
However, in Indecent, which runs at Seattle Rep through October 26, Pulitzer Prize–winning playwright Paula Vogel focuses less on trial scenes and more on the reason a state would use the courts to stomp out a play in the first place: power.
