This week, our music critics have picked everything from your teenage self's indie pop-rock fantasy with Weezer, Pixies, and Sleigh Bells to the punk-rock-fueled Dead Baby Downhill XXII to a nostalgic evening with '60s and '70s soul/R&B legends the Temptations (featuring original member Otis Williams). Follow the links below for ticket links and music clips for all of their picks, and find even more shows on our complete music calendar.

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MONDAY

ELECTRONIC

Jane Machine, Raica, Juliette
This is a strange bill in that Jane Machine (aka Erica von Trapp) writes fairly conventional vocal-centric electronic pop that wouldn’t distract you from your meal, clothes shopping, or dental cleaning, and Raica (Seattle producer/DJ Chloe Harris, who also runs the great Further Records label with her husband) creates some of the deepest and most adventurous experimental-electronic music in the region. But perhaps this odd matchup will benefit both artists by exposing their fans to music they may not ordinarily encounter in a live context. Keep an open mind. DAVE SEGAL

ROCK/POP

ZZ Top
Classic rock relics and legendary beard connoisseurs ZZ Top will play an evening of hard-edged throwbacks and power chords on their "Tonnage" tour.

TUESDAY

ROCK/POP

Lisa Prank, Supermoon, Hoop
Experimental pop punk angel Lisa Prank brings dreamy rom-com meets Jimmy Eat World vibes into a low-key and lo-fi reality. She'll be joined by fuzzy Vancouver rockers Supermoon, who will be using this show to kick off their summer tour, and Seattle alt-pop and soft rock artisans Hoop. KIM SELLING

Mourn, Chastity
Bored with high school, a group of teenagers decided to start an angsty punk band whose sound would fit right in on prime-era SST Records. What’s notable, though, is that Mourn are from Barcelona, not some sleepy American suburb, and the band started in 2013, not 1992. These Spaniards are nonplussed when questioned on how and why they re-create sounds from a milieu that existed before they were born, citing a simple willingness to research and listen (“We have all this internet stuff, we have Spotify,” founder Carla Perez Vas said to DIY mag). This temporal and cultural distance helps Mourn approach timeworn alt-rock touchstones from a fresh perspective. ANDREW GOSPE

Toto
In celebration of their 40th year playing music together, American rock band Toto will set out on North American and European tours entitled " 40 Trips Around The Sun," with an accompanying "greatest hits" album.

TUESDAY-THURSDAY

SOUL/R&B

Freddie Jackson
R&B icon Freddie Jackson will share his decades of experience, stamina, and musical legacy, taking on urban contemporary, soul, and jazz for a two-night set.

WEDNESDAY

BLUES/COUNTRY/FOLK

Willie Nelson & Family, Alison Krauss
Willie Nelson’s triumph is his subtlety. That may well also be his Achilles' heel, because, for too many people, subtlety doesn’t track as genius or accomplishment or even breaking a sweat. He just sounds like he’s doing his thing. It sounds easy enough, unless you try to do it yourself—no karaoke, no singing along in the car. If you try to make something like that, you truly appreciate how he always makes the right choices and never seems to fumble for an idea, an intonation, a pacing. Thankfully, enough people love him on general principle! ANDREW HAMLIN

THURSDAY

DJ

City Arts and Blue Moon Present: CHILL
Celebrate the art festival season with a bar provided by Blue Moon, art installations, and music by great local acts Stas THEE Boss, Afrocop, and DJ Toya B.

Italo Disco Legacy
Italo disco has legs—garishly hued, glittery-leotard'd legs. And the musical genre's lower limbs have refused to stop flexing four decades after its inception. In the United States, Italo is a cult favorite of club-culture aficionados who possess a refined ear for electronic music's more camp and flamboyant proclivities. (Seattle represents it with Pony Bar's monthly DJ night, Medical Records Rx, headed by Dr. Troy and DJ Sh1t-r, who will be playing an Italo set in the NWFF lobby at 7 p.m.) Unlike its American counterpart, which embraced a more soulful vocal approach, Italo disco stressed infectious melodies and hedonistic lyrics, often coming across as an over-the-top take on synth pop. A high tolerance for cheesiness is almost mandatory to enjoy it; grumpy types may not understand all the fuss, but viewing Pietro Anton's 79-minute documentary Italo Disco Legacy will give you a greater understanding of this niche style's enduring charm. DAVE SEGAL

METAL/PUNK

Planning for Burial, Drowse, Nostalgist, Harsh R
Below the House is a fittingly titled album for the subterranean creations of solo artist Thom Wasluck (aka Planning for Burial). Listening to the album, you can envision Wasluck in the basement of his Wilkes-Barre home with a wall of guitar amps in one corner and a makeshift studio cobbled together in another, battling waves of depression and anxiety by grinding out densely layered slabs of tragic and tortured gloom-gaze in his private retreat. The rare Planning for Burial public performance is an emotional bloodletting, with Wasluck beating distorted forlorn melodies out of his guitar against a backdrop of rigid electronic rhythms and shimmering electronics. BRIAN COOK

ROCK/POP

Adam Ant, The Fixx
Reasons to go see Adam Ant: He looks like Gary Oldman—with a pirate’s hat! His last album is really weird. It sounds like he made the whole thing hiding in a basement with a drum machine—like Sly Stone on There’s a Riot Goin’ On, only he’s Adam Ant. He called the album Adam Ant Is the Blueblack Hussar in Marrying the Gunner’s Daughter. He does not own a television. You can yell for him to play his new songs, but not that skeevy one about lusting after a teenager. That one’s just too squick. But the other ones are really good. And you get the hits! More hits! And weird stuff cut out from magazines and plastered onto his hat! Ridicule is nothing to be scared of! Live it! ANDREW HAMLIN

Niall Horan, Maren Morris
X-Factor and One Direction veteran Niall Horan has officially struck out on his lonesome, promoting his first solo album Flicker at this world tour stop with Maren Morris.

Wand, Teton, Nicholas Merz
In their five years together, Wand have grown from a raucous garage-rock act that ran in the same circles as Ty Segall and Mikal Cronin to an unusually tuneful psych-rock band. On their two most recent releases, last year’s Plum and May’s Perfume EP, the band strikes a delicate balance between jamming and songwriting. The latter is a recent development—the LA group could always write a good riff, but founder Cory Hanson has taken his craft, and his Thom Yorke–esque tenor, to new heights. As far as sunny-day, windows-down rock music is concerned, you could do far worse. ANDREW GOSPE

VARIOUS

Artist Watch 2018
Seattle Sound Music Awards and Nights at the Neptune will introduce rising hiphop and R&B artists Silver Shadow D, Son of Sam, King Rich, DPH, and Kierra Shiday.

THURSDAY-SUNDAY

VARIOUS

Doe Bay Fest 11
Doe Bay Resort is on Orcas Island, in the San Juan Islands north of Seattle. Their four-day grassroots festival features music, food, and hot tubbing. Pedro the Lion still sound like the crankiest Christian band ever. For fave second-best act, I’ll take the whole notion of singing along to Simon & Garfunkel, courtesy of Planes on Paper. Also featuring music from Telekinesis, the Dip, Black Tones, Acid Tongue, Vox Mod, Parisalexa, Falon Sierra, and more. Bring sunscreen and bug repellent! ANDREW HAMLIN

Summer Meltdown 2018
Nestled in the mountains of central Washington, Summer Meltdown aims to provide a weekend of high-energy live music performances in a lush woodland setting. Headliners will include Bassnectar, Big Gigantic, Greensky Bluegrass, Lettuce, and Beats Antique, and there will also be "adventures" like rafting, helicopter rides, and kayaking.

FRIDAY

SOUL/R&B

The Isley Brothers & The Pointer Sisters
Iconic Cincinnati-based group the Isley Brothers have been rocking and doo-wopping since 1954, having collaborated with Ice Cube, R. Kelly, the Notorious B.I.G. and many others. Catch their two remaining members, Ronald Isley and Ernie Isley, as they stop in Seattle on tour with the Pointer Sisters.

VARIOUS

KEXP & Seattle Center Present: Concerts at the Mural 2018
In true KEXP summertime fashion, the station will be partnering with Seattle Center to provide another enjoyable round of free family-friendly concerts this year at the Mural Amphitheater, located within the heart of Seattle Center. Local and touring artists are included in each year's lineup, with Seattle favorites Tacocat kicking off the series tonight.

ROCK/POP

Pat Benatar & Neil Giraldo
Women's-lib-dance-rock superstar Pat Benatar and her partner and guitarist Neil Giraldo will once again grace the Northwest with their dual presence for an evening of '80s classics.

SATURDAY

ELECTRONIC

Cruel Diagonals, Medina/Walsh, V.Vecker
A CliffsNotes description of Cruel Diagonals might be something like “voice-centric ambient music,” the domain of artists like Grouper or Julianna Barwick, who conjure up beatific, self-contained worlds out of little more than vocals and negative space. Bay Area musician Megan Mitchell’s project, though, is more fever dream than reverie. Mitchell’s debut, Disambiguation, is a heavy record, characterized by brooding atmospheres, field recordings, distant layered vocals, and forceful percussion sampled from archival sources. Those drums give her nebulous music uncommon rhythmic heft; a few tracks could even pass for ultra-minimalist techno. Mitchell arrives with a refined personal sonic vocabulary, no small feat in experimental music. ANDREW GOSPE

Daedelus, Gangus, Wylie Cable
As a live act, Daedelus cuts a striking figure: Dressed in a vest or suspenders like a Victorian-era apothecary, with sideburns down to his chin, he hunches over a grid of flashing buttons to trigger his rough-edged, acid-fried beats. That instrument, an endlessly customizable controller called a Monome, is sort of like a nerded-out MPC. It’s also a decent metaphor for his music: brainy and a little inscrutable, but with unimpeachable beat-making prowess. The producer’s skill—and his ability to incorporate influences ranging from juke to new age to show tunes—has shown itself time and again across dozens of releases, including several for heavy-hitter electronic labels like Ninja Tune and Brainfeeder. ANDREW GOSPE

HIPHOP/RAP

Talib Kweli, Niko Is
Talib Kweli is an intellectual, street-savvy MC with socially conscious messages and a flow that can be at turns sleek, forceful, and singsong rugged. He’s been active since the late 1990s (he had his start as one-half of Black Star with Mos Def) and has eight solo LPs to his credit. The most recent is last year’s Radio Silence, which is pretty solid from what I’ve heard—check out “Let It Roll” for some strong Kweli rhyme game. Live, he has raw power and a dynamic stage presence (including loads of one-liners and clever banter), amping up crowds while easing and sliding through verses and songs. When I saw him, Kweli performed with a hard-grooving band that was tight as hell. Expect a set list of new joints, old joints (like the ubiquitous “Get By”), and the occasional cover (he’s been known to reimagine the Beatles’ “Eleanor Rigby”). LEILANI POLK

JAZZ

Chateau Ste. Michelle Festival of Jazz
A whole day of live jazz classics and new interpretations from featured artists: Chris Botti, Morgan James, Sarah Niemietz and Snuffy Walden, and Tuck and Patti.

Rebirth Brass Band
Bringing second-line marching-band sounds into the mainstream (or at least as mainstream as brass-driven music gets), Rebirth Brass Band have been operating as the New Orleans standard since 1983. Led by tuba/sousaphone player Philip Frazier and his bass drummer brother Keith Frazier (their music is heavily featured in the HBO show named for the Treme neighborhood), RBB fuse elements of the second line (two trumpets, two trombones, and tenor sax, and there’s also a snare drum player) with soul, jazz, funk, and hiphop. Amid their original material (“Do Whatcha Wanna” and “Feel Like Funkin’ It Up” are fan favorites), they add the occasional cover, such as the Jacksons’ “Shake Your Body (Down to the Ground).” LEILANI POLK

ROCK/POP

Dead Baby Downhill XXII
On Saturday, all of Georgetown will be blocked off for the twenty-second annual Dead Baby Downhill, Seattle's punk-colored Mad Max bike race. This year, the ride will begin at Drunky's Two Shoes BBQ in White Center before making its weird and wind-y way to Georgetown. Some pretty fun-forward activities await you at Dead Baby Downhill, including the crown jewel event: BIKE JOUSTING. You can also nosh on barbecue, drink from one of the nearly 100 kegs of beer, and watch bikers swirl around a mini Velodrome while very loud rock music plays all around you.

Stephen Malkmus & the Jicks, Soccer Mommy
Stephen Malkmus’s self-titled solo debut was hardly an about-face, but rather an extension of Pavement’s grad-school ramblings, with all the smart-alecky self-consciousness that it implies. In the 18 years since, he’s experimented with more complicated arrangements and longer instrumental passages, much like a singer-songwriter reincarnated as a prog rocker. If you can get past the awkwardly jaunty song about Freddie Gray (“Bike Lane”), the new Sparkle Hard is another winner from one of the youngest 52-year-olds in the game. Twenty-one-year-old Sophie Allison, aka Soccer Mommy, has released only one album, this year’s Clean, but it’s a killer. This is an inspired pairing. KATHY FENNESSY

Summer Cannibals, Tres Leches, Guests
There's no delicate way to say it: Summer Cannibals fucking rule. They play with the punishing urgency of young Superchunk, songs full of power and abandon but also set alight by excellent pop instincts and shrewd songwriting. Their third album, Full of It, has been a mainstay since its 2016 release, and their live shows are exciting in a way rock bands often don't even bother aspiring to anymore. Too bad for those losers. SEAN NELSON

Summer Stag Party III
Power-pop rippers Stag will throw their third annual summer party to celebrate the reunion of legendary Sub Pop group Love Battery, who will perform Dayglo in its entirety, along with live sets by Pink Parts, the Black Tones, Andrew McKeag Band, and DJ Kingblind.

Weezer, Pixies, Sleigh Bells
There’s no keeping track of Weezer, Rivers Cuomo, or any of the antics associated with either institution. They exist in the eternally smoking ashes of an eternally dumbfounding phoenix, given their prolific proclivity for pop rock. If there is any kind of keeping tabs on them, it’s that they’ve released their riffy-and-rote 12th studio full-length Black Album—like none of us saw that coming. Sonic stalwarts Pixies are still vibing off their 2016 album Head Carrier, and arena-bumpers Sleigh Bells, picking up where the Wombats leave off, will be blowing up the amphitheatre one dance-heavy jam after another. ZACH FRIMMEL

SOUL/R&B

The Temptations
After seeing the Yardbirds perform with only two original members a few years ago, it became apparent that oldies acts can get by with makeshift lineups, as long as the songs still resonate and the pick-up players can execute them with élan. So, Otis Williams is the only guy left from the Temptations’ classic ’60s/’70s lineup? No matter. When you have songs as potently soulful and dynamic as “Just My Imagination,” “Papa Was a Rollin’ Stone,” “Ball of Confusion,” and “Cloud Nine,” you can still smash it with earnest epigones on the mics. DAVE SEGAL

WORLD/LATIN

Tinariwen
A performance by Tinariwen will transport you to the windswept sands of the Sahara Desert. Rooted in blues, rock, and Afropop, their music incorporates exotic Berber and Arabic influences, and their mix of guitars, bass, percussion, and handclaps is carried by a chorus of male voices crooning, chanting, and howling harmonies in a language you won’t know but will feel deeply in your soul. The group’s members are former Tuareg rebels who came together in 1979 to make music while living as refugees in Algeria. They returned to their home in Mali in the 1990s after a cease-fire and continued to play together, though they didn’t release their first album until 2001. Six LPs and a Grammy Award have followed, including last year’s Elwan, recorded in tents that were set up in a southern Morocco oasis. LEILANI POLK

FRIDAY-SUNDAY

VARIOUS

Seventh Annual Watershed Festival
Watershed Country Music Festival will return to the Gorge for a wild weekend of twangin' goodness. Put on your "Shedder gear" (trucker hats?) and get ready for three whole days of down-home studs, including Blake Shelton, Brad Paisley, Cassadee Pope, Big & Rich, and more.

SUNDAY

BLUES/COUNTRY/FOLK

Amos Lee, Bailen
Perennial Starbucks-soundtracker Amos Lee will take his night of soulful singer-songwriter vibes to the next level at this live show alongside harmony-focused NYC pop group Bailen.

ROCK/POP

Swearin', Mike Krol, Sleepy Genes
To bend a line from Dorothy Gale, bands come and go so quickly here—here being the English-speaking part of planet Earth, at least. Swearin’ broke up three years ago, and now they’re back. Let’s hope they’ve still got the pushy guitar that overflows all over the place, and the enigmatic vocals that sound like they could mean anything, but must mean something, a trick I still miss from when R.E.M. dropped it. I know I’m old, and I know I’ll be dead in a few more go-rounds. Who was it that said, “Gotta do the good stuff now”? ANDREW HAMLIN