FRYE ART MUSEUM
701 Terry Ave, 622-9250.
Tree drawings so intricate that each work takes the artist months to complete--a kind of obsessiveness that's hard to argue with. Through Oct 8.
HENRY ART GALLERY
15th Ave NE at NE 41st St, 543-2280.
*ANDY WARHOL DRAWINGS, 1942-1987
That slightly arch, calligraphic style that's everywhere in graphic design these days--you know where it comes from? Warhol's drawings from the '50s, when he was a commercial artist raking in the dough (as opposed to a pop artist raking in the dough). Then there are the more famous works on paper from his celebrity days, and a self-portrait he drew at 14, long before his self-allotted 15 minutes began to tick away. Through Oct 8.
*FRANK O. GEHRY: THE ARCHITECT'S STUDIO
An exhibition of drawings and maquettes of Gehry's projects, including our own dear smashed jewel, the EMP. The idea is to give us a window into the genius' process; mostly, though, it's proof that he gets to play with cool little models. Through Nov 12.
GRAPHIC DESIGN IN THE MECHANICAL AGE: SELECTIONS FROM THE MERRILL C. BERMAN COLLECTION
Posters, ads, and ephemera from between the two World Wars. This show looks at how avant-gardism worked its way from art to graphic design, and includes work by Alexandre Rodchenko, Kurt Schwitters, and Man Ray, among others. It's a perfect example of how graphic design is sometimes the better vehicle for ideas both artistic and political. Through Feb 18.
MUSEUM OF NORTHWEST ART
121 S First St, La Conner, 360-466-4446.
Rhoads, who shows at the William Traver Gallery, fashions structures out of glass, like architects' models of hives and domes and other shelters. Their shapes are undeniably sexy, another step along the continuum that connects female imagery with vessels. Through Oct 2.
SEATTLE ART MUSEUM
100 University St, 654-3100.
*LANGUAGE LET LOOSE
A tiny little exhibition on the incorporation of text into the visual world. The show's centerpiece is Gary Hill's video installation House of Cards; there's also work by Walker Evans, Ed Ruscha, Alice Wheeler, and a set of Robert Heinecken's Recto/Verso pieces, complete with intelligent but unrelated commentary. Through April 29.
20th-CENTURY AMERICAN ART: THE EBSWORTH COLLECTION
Over 70 works, mostly modernist, collected by Barney A. Ebsworth, who started out collecting 16th- and 17th-century Dutch paintings, but got discouraged when he realized that all "the great pictures [were] gone." There must have been some goodies left from the postwar era; Ebsworth acquired a nifty set of works--no real masterpieces, though--by (among others) de Kooning, Sheeler, and Hockney. Through Nov 12.
SEATTLE ASIAN ART MUSEUM
1400 E Prospect St, Volunteer Park, 654-3100.
THE ART OF PROTEST
Social and political issues addressed through a variety of media, including the photography of Walker Evans and the mordant commentary of Jenny Holzer. Fang Lijun's enormous woodcut, No. 19, dominates the exhibition. Through Jan 21.
TACOMA ART MUSEUM
1123 Pacific Ave, Tacoma, 253-272-4258.
UNDER THE INFLUENCE: NORTHWEST JEWELRY AND ETHNOGRAPHIC OBJECTS
In the art world, jewelry is often seen as sculpture's poor cousin, when in truth it attracts some of the most talented metalsmiths around. This show, presented in conjunction with Metal-Urge, the citywide celebration of metal arts, pairs the work of Northwest jewelers with the objects that inspire them. Through Jan 1.
WING LUKE ASIAN MUSEUM
407 Seventh Ave S, 623-5124.
THROUGH OUR EYES
An extensive exhibition of Asian American photography of the Northwest, from journalism to fine art. It includes the photography of Frank Matsura--who emigrated from Japan at the turn of the century (the last one) and documented the Okanogan frontier--through the contemporary work of Dean Wong and Jessica Kim. Through April 8.
WRIGHT EXHIBITION SPACE
407 Dexter Ave N, 264-8200.
*THE WRIGHT COLLECTION
Virginia and Bagley Wright have rehung their foundation's exhibit space, devoting one gallery entirely to their great collection of '60s and '70s color field paintings, and introducing a large David Salle oil and the John Baldessari piece Two Onlookers and Tragedy to the mix. Other highlights include a Robert Longo, Eric Fischl, a huge Warhol Rorschach, and Jules Olitski's Thigh Smoke. Open-ended run.
SAM HAMRICK, BETSY BEST-SPADARO
Work by two prolific printmakers. Shoreline Community College Gallery, 16101 Greenwood Ave N, 546-4101. Through Nov 12.
That's the name of this new gallery, and it means "masterpieces." Well, we'll see. The grand opening features work by Piero Capobianco, Damon Maxwell, and Robert McRory. I Capolavori, 2519 Fifth Ave, 448-2825.
The sardonic mind behind Urban Hipster shows his comics-influenced paintings and drawings. Glo's, 1621 E Olive Way, 529-2735. Through Oct 21.
See what photographers all over the country are doing with Polaroid film--that most versatile of media. Benham Photography Studio/Gallery, 1216 First Ave, 622-2480. Through Sept 30.
Reflections in painting and sculpture on our favorite blonde, by 12 West Coast artists. Arthead Gallery, 5411 Meridian Ave N, 633-5544. Through Oct 10.
Baril trains his lens on the floral world, in a way that's not entirely new--the suggestive nature of flowers has been documented to death. The prints are pretty, though: clear and pure, and tinted in a bath of tea. Winston Wächter Fine Art, 403 Dexter Ave N, 652-5855. Through Oct 7.
Donnabelle Casis' paintings mostly build on abstract painting techniques, although they're clearly representational. Representational of what is another question. Tumorous growths, skin and hair, orifices and extremities--bodies reduced to indistinct biological forms, with some breathtaking color combinations and brushwork. Howard House, 2017 Second Ave, 256-6399. Through Oct 21.
Boys, boys, boys. Chadsey's got a shirtless, Elvis-inspired guy, he's got a young man reclining on a bed. Those boys are cute, though. See Stranger Suggests. James Harris Gallery, 309A Third Ave S, 903-6220. Through Sept 30.
A rich assortment of the better younger photographers of Seattle: Todd Kephart, Susan Robb, Eva Skold Westerlind, and Benjamin Wilkins. Seattle Art Museum Rental/Sales Gallery, 1334 First Ave, Suite 140, 654-3240. Through Oct 14.
The paintings are abstract--layers of paint that alternately merge and resist each other--but there's a pleasant suggestion of the world, a whiff of Gerhard Richter's blurred landscapes. Trapeze Gallery, 1130 34th Ave, 329-3363. Through Oct 6.
Paintings by Robert Preston and Disasterware (paper plates handsomely outfitted with scenes from recent and past cataclysmic events) by Charles Krafft. See related article this issue. Roq la Rue Gallery, 2224 Second Ave, 374-8977. Through Sept 30.
Drasler, a New York-based painter, has narrowed his focus from detailed and opulent interiors to the everyday objects that populate them. Far from being sweet still lifes, though, these works are tinged with an eerie unlikeliness, as with a Rolodex floating through a calm sky. Eyre/Moore Gallery, 913 Western Ave, 624-5596. Through Sept 30.
*THE EL CAMINO EFFECT
A new space opens in Ballard, run by and featuring a collective drawn largely from the remains of Pioneer Square's Project 416. Leslie Clague, Patrick Holderfield, Steve Veatch, Blair Wilson, and others examine the mysterious El Camino Effect, wherein new objects are created through the juxtaposition of two existing objects. Fuzzy Engine, 2801 Market St, 720-1767. Through Oct 28.
FOURTH ANNUAL POUND GALLERY MEMBERS SHOW
See the spread of work at one of the last good alternative spaces around. Art by Gary Smoot, Susan Robb, Laura Jean Cronin, Penny Jerome, Owen Cornell, Christine Taylor, Katrina Santore, and Kevin Willis. Pound Gallery, 1216 10th Ave, 323-0557. Through Sept 24.
CARYN FRIEDLANDER, ED MUSANTE
Friedlander shows oil pastel on paper, Musante shows birds and small mammals painted on cigar boxes and bird covers. Cute? Yes. Meaningful? Dunno. Francine Seders Gallery, 6701 Greenwood Ave N, 782-0355. Through Oct 1.
GARDE RAIL AT ZEITGEIST
An exhibition of work collected by Garde Rail Gallery founders Karen Light and Marcus Pina, who traveled throughout the Midwest and South looking for excellent examples of outsider and folk art. Zeitgeist Gallery, 161 S Jackson St, 583-0497. Through Oct 4.
Greer's landscape of animals, re-upholstered trees, and rich colors is part Frankenstein, part petting zoo. SOIL Artist Cooperative, 1205 Pike St, 264-8061. Through Sept 24.
Digital prints of figures and natural things, meant to suggest, by their distortion, ancient runes. Photographic Center Northwest, 900 12th Ave, 720-7222. Through Sept 29.
Hecox's images of S.F.'s Chinatown or graffiti-covered vans set exactingly reproduced details against simplified background forms, mixing the strategies of direct street documentation and graphic or commercial abstraction. The effect is subtle and sharp. Houston, 907 E Pike St, 860-7820. Through Oct 31.
In Fear and Sartorial Isolation, Jameson works with clothing forms, then massively tweaks them to explore the relationship with fear and self-protection. See Stranger Suggests. King County Art Gallery, 506 Second Ave #200, 296-7580. Through Sept 29.
The photos are female nudes, the embroidery over them is insects. The last touch of color is Jaye's own blood. It's about female body modification, it's about entomology, and there seems to be a reference to the wounds inflicted by traditional women's work. Mixed bag. FotoCircle Gallery, 216 Alaskan Way S, 624-2645. Through Sept 30.
MICHAEL KENNA, ROCKY SCHENCK
Two photographers working in low-light situations. Kenna's here to show prints from his new book, Nightwork, including a stunning night image of a pair of fountains in Russia, the water plumes glowing in the long-exposure blur. Schenck's photos are interiors--family scenes, to be precise. G. Gibson Gallery, 122 S Jackson #200, 587-4033. Through Oct 21.
In his first Seattle show, WigglyWorld's Lucas gives us images of airplanes and aerial photography, intending to "create a multiple-perspective sense of movement and transition." Little Theatre, 608 19th Ave E, 329-2629. Through Oct 15.
Bright new paintings, in a series called Butterfly Jokes. See Bio Box. Two Bells Tavern, 2313 Fourth Ave, 441-3050. Through Oct 5.
*JENNIFER MCNEELY, AILEEN GAGNEY, DAVID LARA OROZCO
McNeely's soft, squishy, sexy, threatening sculptures should be required viewing for anyone with a body. Black Lab Gallery, 5208 Ballard Ave NW, 781-2392. Through Oct 11
Tacoma's all-city celebration of that other milled material includes exhibitions at Random Modern Gallery (1122 Market St, Tacoma, 253-383-5659, through October 31) and Commencement Art Gallery (902 Commerce, 253-591-5341, through Nov 3). Call 253-591-5192 for a complete roster.
KATHY MOSS, DAVID FRENCH
New works in painting and sculpture, respectively. Ballard Fetherston Gallery, 818 Pike St, 322-9440. Through Sept 30.
*ROBERT MOTHERWELL, ROBERT HELM
Two Bobs: one local, one dead. Motherwell's colossal output of collage prints is sampled, giving us a taste for his intuitive grasp of abstract composition. Helm's prints gather 16 of the dream-symbol images that much of the artist's landscape paintings draw on. Greg Kucera Gallery, 212 Third Ave S, 624-0770. Through Sept 30.
Rock music photography by Diona J. Mavis and C. Taylor. Mavis is the seasoned professional with work represented in the EMP collection; Taylor is the young avant-garde upstart, and between them they've covered a good deal of territory. And they're in exactly the right venue. Crocodile Cafe, 2200 Second Ave, 448-2114. Through Sept 30.
GARY NISBET, RANDY HAYES
Nisbet's collage-on-canvas works are a familiar sight, flirting perilously close to the decorative, but often turning up a few exciting juxtapositions. Randy Hayes' technique of painting over groups of snapshots from his travels has a similar hit-miss ratio, but his hits are home runs. Grover/Thurston Gallery, 309 Occidental Ave S, 223-0816. Through Sept 30.
NO BOUNDARIES X
This is the 10th anniversary of this juried show featuring work by artists with disabilities. The show will be traveling to other cities in Washington, Oregon, Montana, Idaho, and Alaska. Harrison Street Gallery, Center House, Seattle Center, 443-1843. Through Oct 31.
A show of works by Mark Tobey, Kenneth Callahan, Paul Horiuchi, Morris Graves, Guy Anderson, William Ivey, and James Washington, Jr. Kurt Lidtke Gallery, 318 Second Ave S, 623-5082. Through Sept 30.
PACIFIC NORTHWEST NEEDLE ART GUILD
With so much talk about women's work and the use of sewing in fine art, it's probably not a bad idea to spend some time looking at the real thing. The Guild members are showing all manner of needlework, from quilts to rugs to machine embroidery. Kirkland Arts Center, 620 Market St, Kirkland, 425-822-7161. Through Oct 27.
In The Wreck of the New Carissa, painter Pander shows off a series of seven large canvases that read like modern updates of Gericault or Turner. Limning his skies in pinks and blues, lighting the metal hulk dramatically, he ironically deploys the full arsenal of Romantic tricks to make disturbingly beautiful scenes from a sordid disaster. See related article this issue. Davidson Galleries, 313 Occidental Ave S, 624-7684. Through Sept 30.
The sculptor once worked with Isamu Noguchi, and the influence is readily apparent. Still, Uchida's work with marble and granite, with its precise compositions and rough/smooth juxtapositions, has enough grace to stand alone. Bryan Ohno Gallery, 155 S Main, 667-9572. Through Oct 7.
VARIETY OF LIFE
Work by photographers associated with the Reach project--an association supporting homeless and formerly homeless artists. Boomtown Cafe, 513 Third Ave, 625-2989. Through Sept 30.
This sculpture is kinetic, but you have to do the work. Whipple provides the knobs and levers that make his almost quaintly silhouetted sculptures turn and click and spin. Esther Claypool Gallery, 617 Western Ave, 264-1586. Through Sept 30.
Woods' paintings owe a lot to the Modernist masters--Clyfford Still, to be precise--but that's not a bad place for a debt. Abstract, color-rich canvasses, with accompanying pastel studies. Oculus Gallery, 216 Alaskan Way S, 783-0488. Through Sept 30.