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Sometimes a movie comes along and you have to wonder aloud, "What the fuck? How did this happen? How was this movie made?" Though such a thing could easily be said about a host of dog-shit summer films like Wolverine, Transformers 2: Robotic Boogaloo, and that other movie about secret-agent hamsters, the sentiment also applies to Neill Blomkamp's District 9. In this case, however, that's not necessarily a bad thing.
Based on Blomkamp's six-minute short film Alive in Joburg, a spaceship full of shit-covered, malnourished aliens appears over Johannesburg, South Africa. The aliens, stuck on Earth with a broken flying saucer, are moved into a refugee camp. Years later, the government, working with MNU, a multinational arms manufacturer, decides to relocate the aliens—disparagingly referred to as "prawns" for their mollusk-like appearance—to a new camp outside of Johannesburg.
Stranger Personals
MNU desk jockey Wikus Van De Merwe (Sharlto Copley) gets drafted to lead the relocation effort and, while serving eviction notices in the camp, comes down with a nasty alien virus, which begins turning him into a "prawn." Things only get worse from there.
Whoever bankrolled District 9 is either a brilliant madman (or woman) or is trying to get fired. District 9 is violent (vaporizations abound), it's subtitled (even though almost everyone speaks English in a thick South African warble), and it's an allegorical exploration of apartheid and xenophobia (with crazy robot suits!).
While major studios continue to bankroll sequels and remakes of shit
TV shows that no one really liked in the first place, District 9
is a perfect example of the kind of bizarre, violent, weirdly wonderful
subversive science-fiction film that is practically an endangered
species. You would do well to go see it, promptly, instead of spending
your money on another Alvin and the Chipmunks movie (BECAUSE THEY'RE
MAKING ONE!!!). ![]()
Remember that whoever bankrolled Peter Jackson's early films ("Meet the Feebles", "Dead Alive", etc) was also clearly a brilliant madman (or woman) undaunted by the prospect of unemployment.
God bless him (or her), and all who follow in those footsteps.
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I don't recall the South Africans' dialogue being subtitled. Maybe Canada got a different print?
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That said, I've not yet seen D-9. I really want to, though. I tried to see it last Friday but it was already sold out. Instead I decided to rape my childhood by watching G.I. Joe. Not really a fair trade.
This might be the only movie I agree with Armond White about: http://nypress.com/article-20206-from-mo…
This review did give away things that it shouldnt have, shame on you JS-L.
If your going to the movies, this is what you want to see. If not for the movie itself, than just for the fact that this was born out of the ashes of Halo. I bet microsoft is feeling mighty crunchy right now.
@10, Ponyo? really? please tell me your 10 yrs old, please!
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The South Africans talking about the prawns in the Alive in Joburg short were real South Africans who were asked about Zimbadweans (or Nigerians).
Second, ***SPOILER***
With the exception of Christian and his son all the prawns on earth are workers. They are like ants, each individual has a job, but without a queen they really don't have it together enough mentally to do much other than that job, so they follow what the humans tell them to do. They didn't know how to fix their ship.They aren't smart enough to mobilize for a rebellion, and don't realize their guns are worth way more than cat food. Christian was the one stockpiling weapons, and he was probably smart enough to realize that if they did fight back the MNU would just carpet bomb the whole camp.
They explain the fucking worker thing in the fucking beginning when they go into the fucking ship, but maybe you were in the fucking bathroom and didn't fucking here it.
THEY DON'T HAVE A MOLLUSK-LIKE APPEARANCE!!! Mollusks are clams and mussels and snails you retard. Shrimp are crustaceans or arthropods or some other shit...I just know they're not mullusks, so change it, dope.
@8: In the US print (and I would have imagined all prints) while both black and white South Africans go without subtitles, the aliens and the Nigerians get them, regardless of whether you can understand the Nigerians' English (and you can). While there have been many comments on South Africans' treatment of people from Zimbabwe, my friend from S.A. informed me that the portrayal of the Nigerians in the movie corresponds what many in S.A. think Nigerians are like. Which, if it's the more subtle social commentary that I assume it is, I like.
@27: The "they" who are explaining the worker thing are humans in the beginning as part of the documentary. I don't think that's necessarily a piece of information you can trust. Frankly, I thought that was one of the sub-themes of the movie, the (speciesist?) assumptions of one people about another creating the expectations and disinterest that allows the latter to be abused.
@28: I whole-heartedly agree. I thought everything about this movie was fantastic, but most of all it's ability to make me alternate between cheering on the main character and hoping he falls into a pit and dies.
Steven@How to get my ex back










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