Does Eddie Murphy Owe Comedy Reparations to Ancient African Jokesters?

An expert says so!!!!

Take it away, press release:

Does Eddie Murphy Owe
A Comedy Debt to African Tribes?
Expert Traces Groundbreaking Murphy Routine
Back to Tribal Culture

Because, you see, African tribes used their mouths and vocal cords to make fun of each other all the way back in the 13th century, now Eddie Murphy is getting an award for making fun of people with his mouth on television, ergo Eddie Murphy is a THIEF who STOLE his mouth-joke award from 13th-century African tribesmen and also some dudes in Compton! Now he must pay a comedy debt OR DIE!!!!!!!!! (Except for the die part.) So says an expert, and experts know everything because it is their job.

Full press release after the jump!

On the streets of Brooklyn, Harlem, Watts and Compton, they called it “the dozens.”

It was the tradition of hanging out with your friends and hitting them not with punches, but punch lines. Kids would gather and hurl insults, tell “your mama” jokes and compete to see who could be the funniest. It was the basis for some of the earliest comedy routines of Eddie Murphy, who is slated to receive the first Comedy Icon Award at the inaugural Comedy Awards to be broadcast April 10 simultaneously on Comedy Central, Spike TV, VH1, CMT, TV Land, Logo and Nick At Nite.

Elizabeth Evans, an educator with a Master’s Degree and a lifelong interest in African history, believes that one of the first thank-yous that Murphy issues at the show should be to the African tribes who originated the concept of The Dozens hundreds of years ago.

“Yo momma is so fat she got in a monster truck and made it a lowrider!”

Okay, maybe she isn’t that fat, but according to Evans, author of Sanakhou (www.authorelizabethevans.com), when you’re playing the dozens, it doesn’t matter.

“African tribes dating from the 13th century had a strong tradition of using oral communication to pass down their histories, their ancestries and, yes, even their humor,” she added. “The tradition was a particular boon to those tribe members who were not great warriors or physical specimens, because their verbal skills afforded them respect among tribe members that they wouldn’t have otherwise earned.”

According to Evans, “the dozens” is a game that has its origins in African-American slavery. The game originates from the devaluing and bargaining off of deformed or defective slaves in auction houses. This element of the African-American oral tradition in which two competitors, usually males, go head-to-head in a competition typically features good-natured insults. They take turns “cracking,” “snapping,” “ribbing” or insulting one another, their adversary’s mother or other family member until one of them has no comeback. This is called playing the dozens or doin’ the dozens, and sometimes dirty dozens. The dozens is a contest of personal power—of wit, self-control, verbal ability, mental agility and mental toughness. Each putdown, each “snap,” ups the ante. Defeat can be humiliating, but a skilled contender, win or lose, may gain respect. The dozens is one of the contributing elements in the development of hip hop, especially the practice of “battling.”

The dozens can be a harmless game, or, if tempers flare, a prelude to violence. While the competition, on its face, is usually light-hearted, smiles sometimes mask real tensions. But in its purest form, the dozens is part of an African-American custom of verbal sparring, of woofin’ and signifyin’, intended to defuse conflict nonviolently, descended from an oral tradition rooted in traditional West African cultures.

“I have no doubt that Murphy should be thanking his African ancestors as he accepts that award, because without their traditions, it’s possible he might never have realized at such a young age that he could have a career as an entertainer,” Evans said.