There is hair, there is kiss, this is Stowell's, I am sorry.

In my review of Pacific Northwest Ballet’s Romeo and Juliet, which I referenced on Slog yesterday, I dissed Kent Stowell’s version of Romeo and Juliet for its chasteness. Specifically, I placed it squarely in the classical line of ballets—the kind of ballet with “Nobody copping a feel. No kissing—no way. Love is a platonic thing that is impressive and repressive and wears its hair in a bun. It’s nothing to do with sex.”

Turns out I am a liar. A commenter pointed it out to me yesterday:

There is hair, there is kiss, this is Stowells, I am sorry.
  • There is hair, there is kiss, this is Stowell’s, I am sorry.

Hold on a minute, Jen. Have you ever seen Kent Stowell’s Romeo and Juliet? Juliet has a whole lot of hair flowing (remember Patricia Barker?), there IS kissing, and during the bedroom pas, there’s a lengthy downstage-left full-length feel.
on September 29, 2009 at 3:20 PM

Wondering about this, I asked PNB’s spokesman, Gary Tucker, and he confirmed that, indeed, there is hair, kissing, and at least some feel-copping. He even provided photographic evidence.

Well, now I feel sheepish. I saw Stowell’s version (just once), but I honestly don’t remember any of those. I recall very little heat, in fact. (Regulars who can compare both, am I misremembering?)

On the particulars, alas, I am a liar. I’m sorry. I suppose and hope that my main point stands: that Maillot’s Roméo et Juliette is unprecedentedly hot for this story on this stage—and not by a little but by a lot.

Jen Graves (The Stranger’s former arts critic) mostly writes about things you approach with your eyeballs. But she’s also a history nerd interested in anything that needs more talking about, from male...

3 replies on “I Lied”

  1. Holy crap… when I expanded that picture I thought at first that her hand was going between his legs. Just the outline of his Danseur’s Bulge though.

  2. Yes, the new R&J is many times hotter than the Stowell version (which I’ve seen a handful of times).

    Another part of the Stowell R&J that I always despised was all the awful mugging and miming that was required of the dancers to get across the complicated details of Shakespeare’s story. The Maillot R&J smooths over all those details and gets to the heart (and passion) of the story in a much simpler and less awkward way.

    Excellent choice for the Genius Award! I’ve been a PNB subscriber for over 10 years and have been delighted with the new vigor that Boal has brought to the company.

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