Credit: Kelly O

The Moore Theatre is one of Seattle’s architectural jewels, with its marble and crenellations, its nooks and crannies, its air of decaying opulence. On Saturday, September 13, it teemed with writers and artists, actors and hiphop heads, filmmakers and a man who casts headstones out of glass.

The Geniuses: Sherman Alexie (literature), Paul Mullin (theater), Wynne Greenwood (art), Lynn Shelton (film), and Implied Violence (organization).

The music: Dyme Def, Daedelus, and James Pants on the main stage, with the Emerald City Soul Club spinning soul in the Moore’s subterranean bar.

It was a hell of a party.

Brend an Kiley has worked as a child actor in New Orleans, as a member of the junior press corps at the 1988 Republican National Convention, and, for one happy April, as a bootlegger’s assistant in Nicaragua....

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