In Michelangelo Antonioni’s 1966 movie Blow-Up, a playboy photographer discovers a murder by seeing in his picture what he missed in the actual scene. In Brian De Palma’s 1981 thriller Blow Out, a sound effects technician similarly recognizes audio evidence of an assassination. In Up and Out, master mix artist Christian Marclay plays Out‘s soundtrack over Up‘s visuals, instigating a new forensic investigation after an act of aesthetic violence. (Henry Art Gallery, 4100 15th Ave NE, www.henryart.org, 7 pm, $5)
Jen Graves (The Stranger’s former arts critic) mostly writes about things you approach with your eyeballs. But she’s also a history nerd interested in anything that needs more talking about, from male... More by Jen Graves
Das Racist =D