Metronomy Credit: Gregoire Alexandre
Metronomy
Metronomy: more fun than this class photo-style shot (and those outfits) would suggest Gregoire Alexandre

I have some deep love for Metronomy’s 2011 LP The English Riviera. It’s just so catchy and breezy and effortless and restrained, a sticky addictive slice of synthy, groovy, wonky pop that I still listen to on the reg. Though I haven’t loved the albums that have followed from Joe Mount’s UK indie-pop outfit, there have been some quality jams in there, like the inherently, indifferently danceable “I’m Aquarius,” with its stripped-back production and dulcet-toned R&B-soulful backing coos balancing frontman Mount’s blasé Brit intones; the urgent, discofied, hip-shake-inducing “Back Together”; the woozy, moody “Mick Slow.” And last year’s Metronomy Forever, their sixth full-length, had some real fun bops: the guitar-riffed near-rock number “Insecurity”; the “Funkytown”-vibing dance number that is “Salted Caramel Ice Cream”; the fast-paced, womped-up, late-night driving appeal of “Lately”; and the falsetto-caressed cheekiness of “Sex Emoji.”

Metronomy are most definitely fun and far more energetic in a live setting than their recordings might suggest; when I saw them in Orlando a few years back, they were all wearing matching white suits that felt very Miami Vice-by-Brits, and they executed synchronized dance moves at various points throughout the set. Loved it. Tickets are still available for their concert at the Showbox tonight. Some key media below.

Leilani was the managing editor at The Stranger beginning in January of 2017. In addition to her boring administrative duties, she sometimes got to write stuff. She’s also a Phishhead, and doesn’t...