Faustine Hudson is one of those drummers you can’t take your eyes off of. A dead-on lead foot wearing a floppy hat, a tattered sundress, and heels. She’s like Van Gogh’s Irises—there are other paintings in the museum, but something about the movement in Van Gogh’s lines won’t let you go. Faustine’s drum motion is circulatory, furtive, and blurring. She’s the bombastic, hair-tossed, K Records Iris. There’s a wily, jutting sense about her time keeping, and she usually drums with a big smile plastered wide across her face. Faustine plays beats like a giant plays with a bus. The bus is huge to normal people, a toy to the giant. She intimidates me for multiple reasons.

What bands do you play with?

Better question would be who am I not playing with these days. In the past months, I have been touring and playing with Pearly Gate Music, Chain and the Gang, Eugene Wendell & the Demon Rind, John Totten, and Whalebones.

Do ever feel spread too thin with it all?

No and yes. I take it a day at a time; remembering rehearsal schedules, show dates, tour dates, and then trying to make ends meet is stressful thinking about all of it. But, if I focus on what is going on that moment, I can manage. I have realized all I need is five hours of sleep, a fresh young coconut, and some green tea.

What do you think K Records means to the world of music?

CJ [Calvin Johnson] is the king of punk. K was the originator of the anticorporate, DIY movement that exists throughout the world, which has regurgitated itself a bazillion times in a bazillion ways since 1982.

What kind of drum kit do you play? Do you love it?

Right now I am playing an old 1970s Pearl Mahogany gold sparkle kit with a Slingerland snare, Zildjian A Custom cymbals, and A GONG!! I do love it, but am looking for something a bit beefier. My bud has this old 1960s Slingerland kit with a 24-inch kick drum—it sounds pretty damn killer. Maybe one day he will sell it to me. Maybe after reading this… He knows who he is.

Talk gong. How do you know when to hit the gong? What makes for a gong moment?

You just know. Like how you know when to hit a crash, or have to go to the restroom, or eat a li’l snack ’cause you’re hungry.

What do you think of men who wear Utilikilts?

Burning Man.

What are your favorite kinds of heads?

My favorite heels are my black pumps that have the classy ruffle around the toe. Wait, you meant drum heads not heels! Ah, I usually play Pearl Coated Ambassadors. It changes though; I went through a Pinstripe phase for a while.

What’s your approach to drumming?

Passion and love. No approach; it just puts me in a Zen-ful place.

How do you get ready for shows?

I drink a coconut, go for a dip in the closest body of water, and stay as far away from the bar as possible.

You wear the best dresses and hats when you play. Where do you shop?

I go through these phases of hitting estate sales and antique stores looking for old, classy hats and dresses. Then I wear the hell out of ’em and travel the world in ’em, then ride my long board in ’em, and play baseball in ’em to achieve my tattered ol’ style.

Do you ever see yourself going through a Utilikilt phase?

Nay. I carry a purse—no need for a Utilikilt.

Where are you originally from?

Sin City, baby. Do you think it’s ironic that I am from Sin City and my name has Faust in it?

Very ironic. Faust, and his deal with the devil. I see it’s paying off for you. And you don’t even have to wear a Utilikilt. So when, how, and why did you start playing drums?

I was 8 years old, and it was an excellent vice for a kid with undiagnosed ADD.

Who are your favorite drummers?

You mean, who is my favorite drummer. Animal from the Muppets.

You make incredible drum faces. What do you think about while you play?

Is it cliché to say, “sex, drugs, and rock ‘n’ roll”? I’m so swept up in the moment, I can’t really answer this question without being there.

What is it like being a kick-ass female drummer? There are so few women drummers. Do you experience sexism?

I have this mentality that I can accomplish whatever the fuck I want. My sex doesn’t ever cross my mind as being an advantage or disadvantage. I’m a musician, and have put 20 years into it. I was in San Francisco about five years ago, at an old blues joint watching old blues dudes do their thing. I pulled out an old, shitty tape recorder to record the show. When the singer/guitar player saw it, he started freaking out. He was saying he was gonna sue me, and have me eighty-sixed from the place. I told him he could have the tape, that I was a musician, and that I respected what he was doing. He wasn’t having it, saying I was no musician, which made me snap a bit. My response was something like, “I can shuffle better than anyone in this town. Here is the fucking tape.” He said, “Why don’t you sit in with us then?” So I did. And by the end of the night, I went from the asshole who was trying to bootleg a blues jam to the friend from Seattle, drummer girl, who can shuffle like no other around them parts.

I’m sure you intimidate dudes all the time. You intimidate me, but mainly because you’re wearing a Utilikilt.

I’m the person on the side of the stage checking out the players’ style and learning from it. I have a very strong personality, but by no means do I think I’m better than anyone. My mind frame is more of, “What can I learn from people?” Trent, what’s your deal with Utilikilts? recommended

Trent Moorman—Stranger music columnist and Line Out blogger—has also written for Vice, Rolling Stone, Tape Op, Portland Mercury, The Jung Society Quarterly, and Thresholds Quarterly (School of Metaphysics)....

6 replies on “Sound Check”

  1. I agree with Faustine… knowing when to hit a gong is like knowing when to oppress gay people or kill a terrorist, I just kinda get this feeling and then I do it. I know I’m not crazy, and that it’s what Jesus wants.

    You kids are ruining this country.

  2. “One night I saw an unruly crash cymbal in her way so from her throne she picked it up and fired it off stage left like an RPG. Then she counted off the next song and finished an amazing set with just a ride and high hats.”
    -Blind Lemon Pledge

  3. Faustine in the news! rock-on!

    I remember about 4 years ago I trained this punked out ass-kickin’ drummer chick at a shitty corporate day-job. She regalled us with tales of quantities of whiskey that made my liver cry.

    She later escaped in time to save her soul with rock & roll.

    Good peeps doin’ good stuff. This makes me happy.

    -a (not so!) “nimble sledge-drummer”

    PS. I too am intimidated, but not by utilikilts.

  4. She’s clueless. At one point, she admits to taping a show in San Fran without permisssion. This is not acceptable etiquette for a musician. Secondly, she claims to shuffle better than anyone else in San Francisco (ridiculous claim) then says later that by no means does she think she is better than anyone else. I find many musicians in Seattle to be self-professed geniuses, but they live in Seattle because they can’t make in a real music town (sorry, Seattle is not even close to a genuine music town). I personally know two great blues drummers fron San Francisco who tour nationally with the likes of Robert Cray and Greg Allman. They laughed whhen I showed them this article. They are very secure in their craft and didn’t feel the need to say anything else.

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