The Score

Cry me a river: Back in the mid-’90s, a friend told me about a new
company selling books on the internet. “It’s a start-up called Amazon,
and they started hiring.” I was hunting for a software gig, but the
name conjured visions of vine-swinging, six-foot-five, muscle-bound
giantesses hurling boxes of books into the air, so I demurred. Who
would buy a book from a place called Amazon, anyway? I didn’t get the
Amazon slogan, “a river of books,” until several years (and alas, stock
splits) later.

By contrast, Dissonant Plane, the name of a new music store
in Ballard, resonates right away. As co-owner Tanith Lanzillotta told
me, “It describes the music we sell,” which encompasses black metal,
drone, field recordings, postclassical composition, noise, free
improvisation, avant electro-
acoustics, and other unclassifiable,
often dissonant, musics. Much of the stock comes from the vault of
the semidormant Anomalous Records, run by Tanith’s business
partner, his father Eric Lanzillotta.

I predict Dissonant Plane will be a treasure. Along with the
indispensable Wall of Sound on Capitol Hill and the much-missed
Electric Heavyland, I can’t think of another record store in Seattle so
dedicated to adventurous music. On a recent visit, I purchased discs by
the utterly obscure Japanese composer Jo Kondo (has anyone else
composed a piece for piano, vibraphone, gong, and five cowbells?),
David Dunn’s Music, Language, and Environment (Innova), and an
opera by my favorite living Italian composer, Salvatore Sciarrino. I
walked in, or more accurately up—Dissonant Plane is upstairs
from Resolution Audio—looking just for the Dunn. But unlike
Amazon and other online stores, their “bricks and mortar” counterparts
nourish a serendipity that only comes from browsing shelves, flipping
through stacks, and heeding the recommendations of folks who love what
they sell.

Although informally open for almost two months, the co-owners of
Dissonant Plane offer an official grand opening (Fri Jan 16, 5459 Leary
Ave NW, 784-5163,
7 pm, free) with two in-stores: Tanith fronts
the black-metal trio Forest of Grey while Eric plays solo,
serving up room-thrumming drones on his Moog synth.

I’m eager to catch several shows rescheduled due to the Great
Seattle Snowstorm. Sparkle Girl, a self-described “garbage noise
duet,” open for the Blinding Light and the head-exploding,
operatic noise-rock mavens Hemingway. In addition, members of
Lesbian collaborate with Hemingway singer Demian Johnston as Shining
Ones (Fri Jan 16, Comet, 9 pm, free). The Seattle Pianist
Collective rescheduled (Sun Jan 18, Seattle Asian Art Museum, 2 pm,
$10/$15) their plans to tag-team piano pieces by Erik Satie. Also, the
second week of the festival Is That Jazz? features Boise guitarist
Krispen Hartung and RadioSonde, a company of dancers and
experimental musicians (Thurs Jan 15, Chapel Performance Space, 8 pm,
$15 suggested donation); the JACK Quartet hits the intimate Brechemin
Auditorium (Fri Jan 16, UW Campus, 7:30 pm, $10) with avant string
music by UW professor Joël-François Durand, Anton Webern’s
Five Bagatelles, and two by Xenakis, “Ergma” and Tetras.