Founded by Paul Green in 1998, the School of Rock Music has
dozens of locations all over the country and teaches thousands of kids
the ins and outs of both classic and contemporary rock. On Sunday,
December 16, Chop Suey hosts an all-ages show for the Paul Green School
of Rock Music, with a performance by the School of Rock West Coast
Allstars and the Lonely H, celebrating its newest location which opens
in Seattle in January.
Students of the School of Rock attend private lessons and group
rehearsals and learn about rock music’s deep history while learning
how to play it. At the end of each quarter, the kids put their new
talents to use and play a rock show at a real club (as opposed to some
performance hall no one’s heard of).
The general manager of the Seattle branch is Carl Hinds,
who’s performed with Motörhead, Henry Rollins, White Zombie, and
Sonic Youth. He’s toured with the Ramones, the Flaming Lips, and
Radiohead, and he’s done commercials for big-time clients like BMW,
Microsoft, and Ford. He currently sings and plays guitar in two bands,
the Hell Yeahs and BlackHeart WhiteNoise. It appears
Hinds knows a bit about how to make a career as a musician.
The music director is Ben Barnett. Aside from putting out one
of my favorite records of all time under the guise of Kind of Like
Spitting (Bridges Worth Burning on Barsuk Records), Barnett has
also worked with other acts including the Thermals, John Vanderslice,
and Ben Gibbard of Death Cab for Cutie. His songwriting is
unapologetically honest, and he’s a hell of a
performer—passionate and energetic.
Classes start in January and enrollment information can be found at
schoolofrock.com.
In its own way, EMP’s annual Sound Off! showcase has also
been contributing to the local all-ages music community, giving young
musicians a golden opportunity to play live. On December 7, I sat in a
room for three hours with 20 or so other members of the music
community, listening to almost 30 bands, discussing and voting for our
favorites, helping decide who should make it to the semifinals. Twelve
bands will ultimately be selected from that pool to perform at the EMP
in February.
Among the bag of genres, there was some metal (complete with an
epic bagpipe intro), some female-fronted DIY punk, some hiphop with
a little jazz influence, some pop punk played by 11- and 12-year-olds,
some classic cock rock, and a couple endearingly goofy
singer-songwriters. Those who made the cut will be announced early next
year. 
