Unless you’re already a sanctioned record nerd, or well on your way, you may find yourself entrapped by some predictable progressions upon entering college. Some of the most common (boring) phases are: the Pink Floyd Phase, the Bob Dylan Phase, the Jimi Hendrix Phase (if it didn’t take in high school), or, God forbid, the Bob Marley Phase (resist the temptation to grow dreadlocks, especially if you are white). If you do experience symptoms of such a phase, embrace it but keep it brief, and don’t make a big deal about itโ€”no posters on the wall, no excessively talking people’s ear off.

As a rule, music talk should generally be avoided, unless you’re saying something to the effect of “Have you heard them/he/she/it?” or “Yes! I love them/he/she/it. Put it on!” or “No, I’ve never heard them/he/she/it. Let’s hear it” or “No, they/he/she/it have/has never really done it for me.” Always admit when you don’t know an artist, record, or song; anyone who would judge you for not knowing is not worth your time, and it’s often easily exposed when you lie about things in such uncharted territory. Plus, you’ll never learn it if you pretend to already know it. If you must jibber-jabber about music for any length of time, watch it with the genre names, bub. Half the time they mean something different to everyone involved, and using them just makes you sound like an ass-hole music critic, and no one wants to hang out with those dudes.

Once you have expediently processed your Bob Dylan Phase, investigate his superior alternative Leonard Cohen, starting with Songs from a Room, and ending long before the second half of his discography. Pink Floyd? Chuck everything but The Piper at the Gates of Dawn. Hendrix? You can go wherever you like after Jimi, but keep all of his records because he is a God. Marley? Put the bong away (or in the trash if it features a skull and/or jester likeness) and get yourself in touch with Desmond Dekker, who traded more in rocksteady, which you should be listening to instead of reggae anywayโ€”it precedes Marley, it’s slower, and it’s better. Also, get onto some classic dub recordsโ€”King Tubby’s At the Controls is an excellent start.

Where to See Music if You’re Not 21

Vera Project is the one to know about, because they book some serious national talentโ€”Shellac of North America, Future Islands, and WHY?, to name a few coming upโ€”and it’s always all ages. It’s in Seattle Center (the park below the Space Needle). Other venues include Q Cafe, just south of the Ballard Bridge; Cairo, an art gallery/clothing store/DIY warehouse on Capitol Hill that features excellent lineups of quality local and touring bands; and Ground Zero in Bellevue (that city on the other side of Lake Washington). But there is a new development in the all-ages music scene, and you are HELLA STOKED on it. Seattle Theatre Group, which books some of the best shows in this city, has recently reopened the Neptune Theatre in the University District as an all-ages-friendly (bar with ID) venue with a capacity of 850 to 1,000. The sound system is tits, and the sight lines are greatโ€”it used to be a movie theater.

A Note About Fake IDs and Getting into 21+ Areas Before You’re 21

Don’t do it. Not only are you fucking over everyone who works there (the venue and its employees are liable if they even let you inside), but you’re fucking yourself over in the future. Seattle’s bar workers all know each other.

Where to Buy Music

Get the fuck off the internet, put your shoes on, and walk/bus/drive to a real-live record store. Here are some of the stores you’ll want to check out: Easy Street Records (Lower Queen Anne, West Seattle): Knowledgeable staff, great selectionโ€”the Queen Anne location is bigger, but the West Seattle one has a cafe. Both host semiregular, free all-ages shows with quality acts. Sonic Boom (Ballard): Also a great selection and knowledgeable staff. Loads of 7-inch vinyl that you want to own. They also host great and free all-ages shows. Bop Street Records (Ballard): A giant cavern of mostly used vinyl. Let someone know where you are going and when you should be back, because you could get lost in the basement. Be prepared to haggle over unpriced vinyl. Jive Time (Fremont): Clean used vinyl that they actually go out and find and bring to the store. Few places do this. Singles Going Steady (Belltown): More select punk, metal, and rock selections than you can shake a stick at. Totally nice folks. Neptune Music Company (University District, directly under Neptune Theatre): Mike “Moose Knuckle” Nipper, our resident record-buying elitist, says: “I haven’t been there forever, but I know lots of people have pulled rare stuff… good stock.”

A Note on Vinyl

Sure, MP3s are great for when you’re walking around alone or on the bus, but to truly experience a record, you must get a turntable. Every audiophile everywhere will tell you that vinyl sounds better. This is actually entirely true. recommended

Grant Brissey covered everything from hard news and technology, to music, film, and visual arts during his time working for The Stranger. Grant's work has also appeared at Geekwire, and in Billboard,...

25 replies on “Grant Brissey’s Guide to Music”

  1. @4 Another “journalist” who loves him some false equivalencies.

    So one good FE deserves another: Whatever moments Cohen reaches that Dylan does not, Dylan far makes up for it in volume, which Cohen couldn’t possibly match, even if he doubled his lifespan.

  2. for god’s sake, don’t let anyone, especially a journalist, tell you what you should and shouldn’t listen to. decide what kind of music you like for yourself.

  3. What CB said. The worst decision you can make it to let someone else tell you what is good and what you should and shouldn’t listen to.

    Music is personal. What speaks to you speaks to you. If you want to listen to Stairway to Heaven 100 times in a row, do it, and to hell with anyone who looks down on you for it.

    And they can take my Dylan when they pry the records from my cold, dead hands!

    But one good point. If you are white please don’t grow dreads. As Lea DeLaria once said, every time I see a white person with dreadlocks I have the urge to give them a nickel and tell them, “here, go buy yourself a culture”.

  4. Once in high school, I put “Stairway to Heaven” on repeat all night on my new CD player. When I got to school the next day, they played it on the morning radio address. WEIRD.

  5. A music guide for college kids entirely based on alt-rock and elitism over dead people. b-o-r-i-n-g.

    not a word hear about music based on beats.

  6. There is no basement at Bop Street. They moved. A year ago. Also, in addition to being prepared to haggle, you must also be prepared to for them to have non-consensual sex with your wallet and maybe your face.

  7. Dear “Schmucky,”

    Neither Dylan, Cohen, nor any of the members of Pink Floyd are deceased, and I called Hendrix a God. Please learn how to read.

    Sincerely,

    Grant Brissey

  8. Dear “Grant”,

    Syd Barrett and Richard Wright, the original lead singer/guitarist and keyboardist for Pink Floyd, respectively, are both dead.

    Please make a note of it.

    Sincerely,

    A Stranger, from the internet

  9. Nowhere is there warmth to be found
    Among those afraid of losing their ground
    Rain gray town known for it’s sound
    In places small faces unbound

    Or even

    Hiding underground
    Knowing we’d be found
    Fearing for our lives
    Reaped by robot’s scythes

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