Want more? Here's everything we recommend this month: Music, Visual Art, Literature, Performance, Film, Food, and This & That.

Next Exit

FEB 5–21

Meet j. chavez, a Seattle theatre maven who won the KCACTF (Kennedy Center American College Theater Festival)’s National Undergraduate Playwriting Award (whew), for their opus how to clean your room (and remember all your trauma). Their new play Next Exit deals passionately, yet sympathetically, with a man named Miguel trapped on a highway (sans car, I think), who is communing with and deriving philosophical companionship from a dead possum called Orlando. Some deer come out, and a Lady In Yellow, and a sinister force that threatens to eat up anyone and anything lingering too long by the sizzling side of I-5. I’m not clear on how this all flows together. But you should indubitably find out. (Annex Theatre, times vary, all ages) ANDREW HAMLIN


Depths of Wikipedia Live

FEB 12

These days, there are only a handful of accounts that keep me from deleting Instagram altogether: Flamenco diva Charo (whom regularly gives life advice with a massive glass of wine), Our Lord and Savior Britney Spears (who I honestly just need to check on once a week to make sure she’s okay), and, of course, Depths of Wikipedia. Run by journalist and comedian Annie Rauwerda, Depths of Wikipedia scours the deep, dark depths of the free online encyclopedia for the site's most obscure, magical, and bizarre entries. Some memorable examples include a moth species named Freak, a medieval tradition called Feast of the Ass, and the Japanese concept of “hatsuyume,” referring to the first dream one has in the New Year. Rauwerda is bringing her live show of comedy and research back to Seattle to answer all your burning questions, like “When was ciabatta invented?” and “Why is there anything at all?” (Neptune Theatre, 7 pm, all ages) AUDREY VANN


Young Dragon: A Bruce Lee Story

FEB 19–MAR 15

Keiko Green is a playwright, screenwriter, and performer who splits her time between Seattle and LA, and has written for TV shows like Hulu’s Interior Chinatown and the upcoming Apple TV series Margo’s Got Money Troubles. Last fall, Seattle hosted productions of two of her plays: Exotic Deadly: Or the MSG Play, a wacky time-traveling comedy set in 1999, and Hells Canyon, a chilling horror thriller. Now, there’s another opportunity to glimpse even more of Green’s impressive range with the Seattle Children’s Theatre premiere of her play Young Dragon, which shows Bruce Lee as an ambitious young man finding his place in the world in Seattle. I’m willing to bet audience members of all ages will be moved by Bruce’s journey to becoming a “flexible, fluid, and flowing master.” Seattle Children’s Theatre recently made the difficult decision to pull a two-week April run of Young Dragon from the Kennedy Center due to the impact of the Trump administration, which makes it even more important to support local productions like this one. (Seattle Children’s Theatre, times vary) JULIANNE BELL


Jimmy O. Yang

FEB 27 & 28

Hilarious Asian-Millennial perspectives spill forth from Jimmy O. Yang at a rapid pace in his stand-up performances. Sure, the actor and former strip-joint DJ covers some familiar ground: relationships, parent-child interactions, the importance of friendships, how different cultures talk about money, media representation of his people—and the pressure he feels as a high-profile Asian to do his tribe proud. But the Chinese American comic also tackles some less common subjects, such as the feet etiquette of different cultures, the limited options for Halloween costumes among Asians (“I was Bruce Lee for six years.”), whether it’s okay for Asians to say the N-word when singing along to rap songs, as well as an advanced lesson on how to tell Asians apart by the sound they make when they’re disappointed. He also does the best tai chi joke I’ve ever heard. With his acting chops honed in TV comedy shows such as Silicon Valley and Space Force and the movie Crazy Rich Asians, Yang has become an efficient and super-expressive joke machine. (Paramount Theatre, 7 pm, all ages) DAVE SEGAL


More

Topdog/Underdog Feb 4–Mar 1, ArtsWest, times vary

Bridge Project 2025 with DaeZhane Day, kelly langeslay, and No Girls No Masters Feb 6–8, Velocity, times vary

Bosco Presents: GRINDHAUS Feb 7, Crocodile, 10:30 pm, 21+

The Wiz Feb 10–15, Paramount Theatre, times vary, all ages

The Serpent Sisters Tour: Nymphia Wind and Plastique Tiara Feb 15, Neptune Theatre, 8 pm, all ages

Rose Jarboe’s Rose: You Are Who You Eat Feb 19–21, On the Boards, 8 pm

Fellow Travelers Feb 21–Mar 1, McCaw Hall, times vary

Early Warnings

Amy O’Neal: Again, There Is No Other (The Remix) Mar 26–28, On the Boards, 8 pm

Pacific Northwest Ballet Presents: Giselle Apr 10–19, McCaw Hall, times vary, all ages

Jonathan Van Ness Apr 24, Moore Theatre, 8 pm, all ages

Margaret Cho Apr 19, Moore Theatre, 7 pm, all ages

Seattle Opera: Carmen May 2–17, McCaw Hall, times vary

Fauxnique: How Do I Look? May 7–9, On the Boards, 8 pm